Review: Caraval by Stephanie Garber

A dark blue cover with white text, and a flourished font for the title Caraval. There is a multipointed star behind the title and it is surrounded by red artistic flourishes around the title and author name.ARC Review:

Title: Caraval (Caraval #1)

Authors: Stephanie Garber

Publisher and Year: Flatiron Books, 2017

Genre: fantasy, young adult, romance

Blurb from Goodreads:

Whatever you’ve heard about Caraval, it doesn’t compare to the reality. It’s more than just a game or a performance. It’s the closest you’ll ever find to magic in this world . . .

Welcome, welcome to Caraval―Stephanie Garber’s sweeping tale of two sisters who escape their ruthless father when they enter the dangerous intrigue of a legendary game.

Scarlett has never left the tiny island where she and her beloved sister, Tella, live with their powerful, and cruel, father. Now Scarlett’s father has arranged a marriage for her, and Scarlett thinks her dreams of seeing Caraval, the far-away, once-a-year performance where the audience participates in the show, are over.

But this year, Scarlett’s long-dreamt of invitation finally arrives. With the help of a mysterious sailor, Tella whisks Scarlett away to the show. Only, as soon as they arrive, Tella is kidnapped by Caraval’s mastermind organizer, Legend. It turns out that this season’s Caraval revolves around Tella, and whoever finds her first is the winner.

Scarlett has been told that everything that happens during Caraval is only an elaborate performance. But she nevertheless becomes enmeshed in a game of love, heartbreak, and magic with the other players in the game. And whether Caraval is real or not, she must find Tella before the five nights of the game are over, a dangerous domino effect of consequences is set off, and her sister disappears forever.

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

I thoroughly enjoyed Caraval, it was a face-paced read that was enjoyable in the way that you don’t notice how much you’ve read until you should have gone to sleep an hour ago.  I loved the set up of the story and the game of Caraval with the mystery of its game master Legend.  The magic and the worldbuilding were deeply interesting and honestly I wish I could have seen more of this – especially inside the game world itself. For five days of game there was a surprising lack of detail and richness to the experience within it.

The characterisation was all pretty solid although I thought the father’s character was a little two dimensional as a villain. I loved the two sisters, although I was disappointed that they didn’t share more page-time together and I thought that there was a bit more telling about them rather than showing – Tella was almost absent from the book although critical to the story itself which I thought was actually a bit of a shame – I couldn’t relish in her triumph because I barely knew her. Scarlett was contradictory but in a good way and I thought I had a good chance to get to know her, but I thought that she was a bit too easily led and naive for someone who was supposed to be aware of being manipulated, based on her background. I did really love Julian’s character, and he was one of the stand out characters for me, he was complicated and interesting, was a great foil for Scarlett without being lost in her and without doing anything that made my teeth hurt.

I enjoyed the resolution to the story quite a lot, I thought it was quite fitting and I thought that the fact that there was a rhyme and reason to how Scarlett and Tella ended up at the game at all was well plotted. I was bewildered by the random arrival of the fiance – that whole sub-storyline was a bit clunky for me and I don’t think it played out as well as it could have. I didn’t much care for the cliffhanger, but I am glad to know that there’s more story, it was definitely compelling and enjoyable enough that I’m overtly looking forward to the sequel. This is an interesting YA novel, it’s not a coming of age, but it is a stepping out into the world in a way for the first time, and Scarlett comes to know herself and what she wants for her life a bit more, out from under the thumb of her father and the certainty of her betrothal. I love that the relationship between the sisters is so important and underpins the whole story even if they didn’t share the pages as much as I’d have liked, and overall I’d have loved to see more of Tella. Congratulations to Garber on an excellent debut novel.

Review: Bookishly Ever After by Isabel Bandeira

Pale blue book cover with flowery font text for the title and author name, there is a silhouette of female figure in a white dress blurred in the background and pink curlicue flowers surround the text and the blurry figure. ARC Review:

Title: Bookishly Ever After

Authors: Isabel Bandeira

Publisher and Year: Spencer Hill Contemporary, 2016

Genre: young adult, romance, contemporary

Blurb from Goodreads:

In a perfect world, sixteen-year-old Phoebe Martins’ life would be a book. Preferably a YA novel with magic and a hot paranormal love interest. Unfortunately, her life probably wouldn’t even qualify for a quiet contemporary.

But when Phoebe finds out that Dev, the hottest guy in the clarinet section, might actually have a crush on her, she turns to her favorite books for advice. Phoebe overhauls her personality to become as awesome as her favorite heroines and win Dev’s heart. But if her plan fails, can she go back to her happy world of fictional boys after falling for the real thing?

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

As someone who really enjoys reading books, and enjoys in particular the relationships, romances and friendships in books this book was right in my wheelhouse! It’s a cute YA about a girl who likes reading and knitting having a crush, being crushed on and figuring out real life romance for the first time. I really like that Phoebe was both curious about and a bit bewildered by the contrast between real life romance and the romances in the books she was reading. I loved that she saw herself in the heroine protagonist’s role time and again, and that she aspired to romance as awesome as those she was reading about.

I really loved the naive fantasy at play here – nothing bad happened to Phoebe! I found the way the story unfolded to be really believable for me because she’s a teen girl with her first real life romance experience. She was clumsy, so was the boy she liked. I liked all the supporting characters actually, her friends were varied and interesting, I liked the happy queer romance that her friend was enjoying, I liked that Dev was Indian and heavily involved with his cultural background, including travelling back to India during the story. There were just nice touches that made it a bit more real for me.

That said, I have minor complaints about the story becoming clunky in the second half, the way the romance unfolded was believable  but it was an effort to keep reading in some places because while I hate insta-romance in most cases, things here also seemed to just take forever – but not in a slow burn awesome kind of way, there were slow places that were a little boring and the let down the pacing a little. This is a minor criticism, and as a debut novel it’s a great beginning.

If you like sweet romance that’s non-explicit involving books, knitting, archery and camping, I highly recommend this book, it was great fun, the characters were endearing and I enjoyed reading it a lot. This book stands alone really well. However, I understand that there is also second book in the series forthcoming, I’ll definitely be looking forward to that when it comes out.

Review: Martians Abroad by Carrie Vaughn

A woman sits by a spaceship window with the glow of the Earth in silhouette visible. The title Martians Abroad is in orange, the author Carrie Vaughn's name is in white both in large letters at the bottom of the image.ARC Review:

Title: Martians Abroad

Authors: Carrie Vaughn

Publisher and Year:  Tor Books, 2017

Genre: science fiction, young adult

Available: January 17, 2017

 

Blurb from Goodreads:

A great new stand-alone science fiction novel from the author of the Kitty Norville series.

Polly Newton has one single-minded dream, to be a starship pilot and travel the galaxy. Her mother, the director of the Mars Colony, derails Polly’s plans when she sends Polly and her genius twin brother, Charles, to Galileo Academy on Earth—the one planet Polly has no desire to visit. Ever.

Homesick and cut off from her desired future, Polly cannot seem to fit into the constraints of life on Earth, unlike Charles, who deftly maneuvers around people and sees through their behavior to their true motives. Strange, unexplained, dangerous coincidences centered on their high-profile classmates begin piling up. Charles may be right—there’s more going on than would appear, and the stakes are high. With the help of Charles, Polly is determined to find the truth, no matter the cost.

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

I’m a fan of Carrie Vaughn’s urban fantasy series about Kitty Norville and I jumped at the chance to see her writing such a fun sounding science fiction story. Martians Abroad is fantastic from start to finish, the characters and story are engaging and the whole package is wonderfully entertaining – I couldn’t put it down.

I rarely start a review talking about world-building, but I think it’s worth remarking on here. I really like the future-Earth universe Vaughn has created. It was really believable – moving on from nations but not completely. Colonies on the moon and Mars and other places, and run by corporations with stakeholders. I really loved that we got to experience this world through the eyes of Polly who hasn’t been to Earth and hadn’t ever planned on it. It was a really unique view and it made me appreciate living on Earth myself in a lot of ways, open sky, water and space to spread out. There are tons of tiny details that have been included that made the universe real for me, plus it seems incredibly plausible to me that this kind of setup could happen in future.

Polly and Charles are great protagonists, twins but not really, siblings and very different from one another. I liked their friendship – it wasn’t an easy one but it was true to their characters and so was very real for me. I loved the character interaction at the Galileo school with all the other children – elitism persists even in the future, and the form in which it takes was not at all surprising. I also liked that there  wasn’t a strong romance vibe in this book, they’re teenagers and so there’s hints of it, but it never goes beyond what I’d expect of teens in that kind of setting – particularly Polly herself.

Polly is such a practical person, she’s seemingly fearless and unfazed by so many things – the kind of person to think that the things she does without thinking are things that anyone, or surely someone would do – but it’s consistently her. It’s not seen as ordinary but it’s also not the kind of thing that draws a magic-hero trope reaction either. The other teens are bewildered and grateful but don’t know what to make of Polly at all, her capability, competence and confidence show up in the kinds of areas where they’re lacking and they, even if the school doesn’t, recognise the value in what she brings to the table.

Another thing I appreciated was that even though there was school meanness, that it was qualified and that there were other things that happened and it wasn’t all about the trope of a misfit coming to fit in. In fact, by the end Polly still doesn’t exactly fit in and neither does Charles. But she makes friends and they stand by her, they share confidences and experiences together and the friendships grow from there in ways I really appreciated. The way in which there were obstacles to overcome and that they seemed contrived because they were was an awesome story element, I was quite impressed with how that came together in the end and with Charles’ decision to return to Mars. I was surprised by Polly’s intention to stay at Galileo, but I appreciated her optimism about getting through it and getting to become a pilot. I am glad that she did get some sense that she could access that career privilege based on how hard she’d worked and how selflessly she’d endeavoured to do ‘the right thing’ by others at the school.

This was a great, standalone science-fiction novel, it’s perfectly tuned as a Young Adult novel too. I love that it’s standalone, but the universe is so interesting and has such potential that I have a faint hope that there could be more standalone novels in the universe.  If you like science-fiction that is thoughtful, fun and has great characters in a fully-realised world then Martians Abroad by Carrie Vaughn is well worth your time.

Snapshot 2016: Interview with Justine Larbalestier

Snaphot Logo 2016

I’m glad I was reading my interview with Justine Larbalestier during the day time when the sun was out because her insight into psychopaths and in particular women who are psychopaths is truly chilling!  I interviewed Justine as part of Snapshot 2016 and the interview is reposted here from the Australian SF Snapshot Project. #Snapshot2016


Justine Larbalestier author photoJustine Larbalestier is an Australian–American author of eight novels, two anthologies and one scholarly work of non-fiction, many essays, blog posts, tweets, and a handful of short stories.

Her most recent book, My Sister Rosa, is about a seventeen-year-old Australian boy whose ten-year-old sister is a psychopath. It’s set in New York City and published by Allen and Unwin in Australia/New Zealand and will be published on 15 November 2016 by Soho Teen in North America.

My previous novel, Razorhurst, takes place on a winter’s day in 1932 when Dymphna Campbell, a gangster’s moll, and Kelpie, a street urchin who can see ghosts, meet over the dead body of Dymphna’s latest lover, Jimmy Palmer. Of her other books the most popular are the novel Liar and the Zombies Versus Unicorns anthology which she edited with Holly Black.

Justine lives in Sydney, Australia where she gardens, boxes, and watches too much cricket, and also in New York City, where her game of choice is basketball. She’s a season ticket holder for the New York Liberty.

 

You were a WisCon 2016 Guest of Honour, what was it like returning to Wiscon having previously attended as a regular con-goer in comparison to attending as a guest? Also, what was your favourite part of the experience?

It was strange. Though I was once a regular con-goer there, I hadn’t been in ten years. Last time I was there YA had almost no profile. I was asked, “What is YA?” Some folks were sneery, “Why would you write about teens? Ewww.”  Which is part of why I stopped going. But ten years later that had totally changed. I felt very welcomed and there were many other YA writers and readers there.

Aside from being a co-GoH with Nalo Hopkinson and Sofia Samatar, who are both incredible, my favourite thing was doing a panel on evil women with Mikki Kendall. She’s been doing research on female serial killers and I’ve been researching psychopathic women. She’s one of the smartest, wittiest writers around, as well as being an historian. It was the most informative fun ever. I wish all my panels were with her.

Razorhurst - coverYou’ve been working through the ideas surrounding ‘evil women’ in your recent writing. What have you most enjoyed exploring about the concept of evil so far?

I’m fascinated by the idea that women are naturally good on the one hand, yet on the other, there’s all the stuff about women being diabolical temptresses on the other. I’ve long been obsessed with Femme Fatales. I watched too many Films Noir, I guess. Razorhurst was my first book that featured one, but it won’t be my last. (To be clear, I don’t think any group is naturally good or bad. Google Australia’s Katherine Knight if you want a really gruesome example of a woman killer.)

For a long time there was a belief that there weren’t women serial killers. Or, rather, that they were rare. Possibly because women aren’t seen as capable of that level of violence? Spoiler: they are. But it’s becoming apparent that many female serial killers were simply overlooked because they mostly don’t kill in a showy way. No chopping up bodies, no taunting letters to the police. The women don’t want to be caught. They tend to work as carers and poison/suffocate their victims. Not many people realise that Arsenic and Old Lace was actually based on a real life case and that that real life case was absolutely typical of how women serially kill. Women also tend to get away with their murders more often because their kills look more like natural causes.

The same thing with female psychopaths. Experts say that for every twenty male psychopaths there is only one female one. But when I tried to find where that figure came from it, turned out it pretty much comes out of thin air. Experts don’t know how many female psychopaths there are because little research has been done on them. I suspect female psychopaths are under-diagnosed.

The evil women that are part of our mythologies tends to be evil in terms of their roles as wives/girlfriends and mothers: Medea, Jezebel, Delilah etc. Even when women are being evil to other women in those stories it’s usually because they’re in competition for men. A lot of fictional depiction of female evil assumes heterosexuality and probably wouldn’t pass the Bechdel test. The obvious exception being all those evil lesbians, but they’re seen as evil because of their rejection as men, so it’s still an evil understood in terms of mainstream understandings of sexuality. I.e. the only reason you would turn your back on men as a woman would be because you’re evil.

I’ll stop now as this is turning into a long-arse essay but, as you can tell, I have loads to say on this topic. Hence my writing yet another book about a female psychopath. This time she’s seventeen, rather than ten as in My Sister Rosa, and it’s from her point of view, not from that of her old brother.

My Sister Rosa - cover

Aside from the psychological thriller you’re currently working on, do you have anything speculative in the works?

The kind of psychological thrillers I’m writing are monster novels, which I think are definitely part of speculative fiction. Psychopaths have been figured as monsters for decades now. In fact, I’d argue that most monsters in horror, science fiction, thrillers etc. are human, and when they’re not like, for example, the Godzilla movies, it’s often the evil military trying to fight them, who are the real monsters. With good reason, we fear ourselves the most. And the psychopath, the person with no empathy and no remorse, is kind of the distillation of our fears about our fellow humans.

I do not mean that psychopaths are literally monsters. Just that they’re figured that way in the genre and, let’s be honest, in much reporting of real life cases. What interests me the most about the way we see psychopaths is that they are human. So how do we deal with that? Not very well. How do we deal with the fact that a great deal of the evil inflicted on humans is inflicted by humans who aren’t psychopaths. We don’t.

What Australian work have you loved recently?

This is so hard because I know many brilliant Australian authors but if I praise some of them I’ll be leaving others out. I also worry people will think I’m recommending them because they’re my friends, which I would never do, but it’s what some assume. Besides I recommend my friends’ books on Twitter often.

So I’ll recommend two Aussie writers I’ve never met. Check out Ambelin Kwaymullina. She has a fantastic YA trilogy, The Tribe, that’s not like anything else out there. In non-fiction I loved Finding Eliza: Power and Colonial Storytelling by Larissa Behrendt, which is a witty, well-researched account of the Eliza Fraser story, but this time including Indigenous versions of what happened. It’s the best kind of history because it made me rethink what I thought I knew. A must read.

Which author (living or dead) would you most like to sit next to on a long plane trip and why?

Honestly, on most long plane flights there’s already an author sitting next to me. On the other side of me I think I’d prefer to have an interesting person from a completely different field. Lately, I’ve taken to questioning folks about the most common accidents in their occupation so I can figure out “accidental” ways my psychopath could bump people off. So sitting next to an expert on accidental deaths would be the best thing ever.

Snapshot 2016: Interview with Marianne de Pierres

Snaphot Logo 2016

Marianne de Pierres remains one of the most versatile authors writing in the Australian scene, she’s not afraid to tackle any kind of story that takes hold of her and she’s always up for trying something new. Plus, she’s also great fun to have around! This interview is part of Snapshot 2016 and is reposted from the Australian SF Snapshot Project. #Snapshot2016.


Marianne de Pierres Comic Con 2016 author photoMarianne de Pierres received the 2014 Curtin University Distinguished Australian Alumni Award for significant and valuable contributions to society. This award was granted in recognition of her feminist speculative fiction. She is the author of the award-winning Sentients of Orion and Peacemaker series. Her young adult Night Creatures trilogy was listed as a Recommended Read by both the Stella Prize and Victoria Premier’s Literary Award panels. Under the pseudonym Marianne Delacourt, she has also written a series of crime novels for which she has received a Davitt Award. She is a writing educator and mentor, a proponent of Transmedia, and has been involved in several successful creative partnerships.

You’re working on feminist science fiction for your PhD project, what is the most surprising thing you’ve learned in your research and reading so far?

The short answer is “everything”. It’s been a wonderful and soaring learning curve for me: from Donna Haraway’s cyber-feminsim through to the post-feminist theorists. More specifically though, my topic examines how certain female speculative fiction authors imagine future feminism in their work. The most surprising discovery is the conclusion that I’m beginning to draw from an analysis of three particular texts. I’m using vN by Madeline Ashby, God’s War by Kameron Hurley, and Zoo City by Lauren Beukes as my case studies. Though set in vastly different worlds and written in diverse styles, there are some strong commonalities in their subtexts. But you’ll have to read my exegesis to find out what those are! No spoilers yet.

Sharp Shooter - coverThe recent re-release of ‘Sharp Shooter’ internationally is so exciting and I’m so looking forward to the release of the fourth novel in the series! Can you give us a hint of what we can expect from Tara’s next adventure?

Thanks Ju! I am also really thrilled that Twelfth Planet Press have picked up the Tara Sharp series for their Deadlines imprint. The books are being re-released over the course of this year with new covers, and each one has been revised, and in some instances new material has been added. Cathy Larsen is producing some splendid new artwork. Book 4 will be out around November and is titled Sharp Edge. Things are ‘hotting up’ between Tara and Nick Tozzi and she’s not sure she can handle it, so (in usual fashion) she plunges into her latest adventure to avoid having to make decisions. This means helping her ex-fiancée, Garth, with a money laundering problem and disentangling herself from the bikie gang to whom she owes a favour. Cass and she also move out of Lilac Street. Everyone’s lives are evolving.

One of your strengths as an author has been your ability to work across genres, from YA and urban fantasy to science fiction, crime and dystopia. Do you have a favourite amongst the genres you’ve written in and are there any you’d still like to try out?

Funny you should mention that! Once my PhD novel is complete, I plan to work on a biography about a man named Colonel Herman Thorn, who lived in early 19th Century New York and Paris. I’m so obsessed with this story that for the first time in my life, I feel compelled to write non-fiction, and I refuse to be daunted by the fact that it’s a new genre for me.

In terms of my previous fictions… as long as it’s speculative, I love it! No favourites there. 🙂

What Australian work have you loved recently?

Pamela Hart’s (aka Freeman) historical novels are some of the best world building I’ve read. Pamela’s a terrific writer in all genres, but I agree with her husband (author Stephen Hart) who says she’s really found her niche here.

Which author (living or dead) would you most like to sit next to on a long plane trip and why?

Octavia Butler. I’d be interested in pretty much anything she had to do or say.

Snapshot 2016: Interview with Sean Williams

Snaphot Logo 2016

This is the first of the interviews I conducted for Snapshot 2016 with the always lovely Sean Williams, reposted from the original over at the Australian SF Snapshot Project. #Snapshot2016.


Sean Williams - Photo by James BraundSean Williams is an award-winning, #1 New York Times-bestselling author of over forty novels and one hundred stories, including some set in the Star Wars and Doctor Who universes, and some written with Garth Nix. He lives up the road from the Australia’s finest chocolate factory with his family and a pet plastic fish.

Although your Twinmaker series concluded with the release of ‘Fall/Hollowgirl’ last year, it looks like this universe still has a hold on you. Is there more to come from within the Twinmaker universe?

The Twinmaker universe, and the idea of the matter transmitter, definitely still has a tight grip on me. Apart from the fantasy landscape of The Stone Mage and the Sea, which I’ve returned to more than a dozen times, this is the world I’ve most visited, with four novels and over forty short stories so far, plus a PhD thesis to prove that I’m taking it all very seriously.:) I have a couple of stories yet to come, and there are still ideas kicking around. One is to write a non-fiction book on the rise and fall and rise of the teleporter. If I could drop everything in order to do that, I would. Then I’d be done with it. Maybe.

Because, honestly, this has been obsession for more years than I care to count. The first “serious” story I ever wrote, i.e. thinking that I might actually have a shot at being a writer, was a matter transmitter story. That was in 1989. Going back even further to 1978, I wrote a mammoth epic, or so it seemed when I was eleven years old, and it too featured a matter transmitter. If anyone’s looking for recurring tropes in my work, this would be the one that stands out. I would justify this obsession by saying that it’s the ultimate science fiction trope, the one that allows an author to explore every imaginable idea, except for travel back in time (and hell, Michael Crichton used it to do even that). But really it’s because I think it’s cool … and the ideas it generates just keep on coming.

Fall - Twinmaker - cover

You’re well known for writing science fiction and dystopia, and I’m a particular fan of your fantasy work. Do you think you’ll continue to work across genres?

Most likely. I’ve always liked moving across genres and styles. It keeps me from getting stale–or so I tell myself. Maybe it’s really just to keep me from getting bored. One thing that’s stopped me from writing much horror lately is the feeling that, if I’ve played with a trope once, it’s time to move on. Of course, given the answer to the question above, some tropes comprehensively break that rule. I’ve also come back to some styles or worlds many times over, but only when I feel like I have something more to say about or with them.

Forthcoming projects include my first ever published 1st-person novel, my first mainstream novel, and my first medieval fantasy (co-written with Garth Nix). At the same time, I have a space opera novel kicking around, and I’m actively researching another book set in the world of the Books of the Change. Plus the non-fiction book on matter transmitters. So there’s lots of old and new stuff to keep me interested for a while yet.

In your blog you mention two YA novels that you’re writing. What is it that draws you to YA?

The first of the two YA novels is In My Mind, a first-person novel set in the present day that uses speculative elements to explore social anxiety and chronic pain; that’s sold in the US, and I’m editing it at the moment. The second is Impossible Music, a mainstream novel about deafness and music. It earned an Australia Council Grant (for which I’m incredibly grateful, times being tough) and is still in the research phase. Both are very personal novels, dealing with things that are very close to me, or things I have suffered myself (particularly In My Mind, which was difficult to write as a result). They’re topics I find easier to write about in YA because they speak to the age I was when I discovered/endured them in real life. More or less. These aren’t memoirs, but they do come from very intimate spaces that I don’t normally foreground in my fiction.

In general, I find a freshness, a vividness, a rawness, and an immediacy to YA fiction that is very appealing to me. As genre writer, and reader, I am drawn to stories that pull few punches in terms of plotting and characterisation. Themes, subtext and style are equally important, but I don’t want them foregrounded to the point where they seem to become the point, if that makes sense. Finding the right balance between the many facets of storytelling is one of the most challenging things about being a writer–and a reader as well. There’s nothing more rewarding than finally getting it right.

What Australian work have you loved recently?

Justine Larbalestier’s My Sister Rosa, Jaclyn Moriarty’s The Colours of Madeleine series, Liane Moriarty’s The Husband’s Secret, Deb Biancotti’s Waking in Winter, Anna Smaill’sThe Chimes, Zeroes by the fabulous Westerfeld/Lanagan/Biancotti trio. I’m also going on a bit of an Elizabeth Knox binge lately; her Dreamhunter duet really hit the spot. (I’m conflating a couple of New Zealanders with the Australians here, but I figure it’s okay to be inclusive. Hopefully!)

Which author (living or dead) would you most like to sit next to on a long plane trip and why?

I wish I’d met Robert Anton Wilson when he was alive, so I guess that’s my answer. It would be fair to say that his Schroedinger’s Cat books literally changed my life (more than Illuminatus! although he’s more famous for them). I was a teenager thinking thoughts that didn’t really fit into the box I was living in, and here was the guy writing about exactly those things, but with a sense of humour and wonder sorely lacking in the other pundits I’d stumbled across. He had a joyous knack of telling stories that underpinned everything he wrote. If I had the opportunity to hear some of those stories in person, I would take it in a flash.

Review: Every Heart a Doorway by Seanan McGuire

Every Heart a Doorway - coverARC Review:

Title: Every Heart a Doorway

Author: Seanan McGuire

Publisher and Year: Tor, 2016

Genre: fantasy, young adult, new adult

 

Blurb from Goodreads:

Eleanor West’s Home for Wayward Children
No Solicitations
No Visitors
No Quests

Children have always disappeared under the right conditions; slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere… else.

But magical lands have little need for used-up miracle children.

Nancy tumbled once, but now she’s back. The things she’s experienced… they change a person. The children under Miss West’s care understand all too well. And each of them is seeking a way back to their own fantasy world.

But Nancy’s arrival marks a change at the Home. There’s a darkness just around each corner, and when tragedy strikes, it’s up to Nancy and her new-found schoolmates to get to the heart of the matter.

No matter the cost.

 

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

How have I not read any of Seanan McGure’s work before?! Especially given my love of urban fantasy?! In any case, this was my first foray into McGuire’s work and I could not put the book down. Every Heart a Doorway is simply magnificent and is an instant favourite for 2016, without question.

Every Heart a Doorway has one of the most interesting fantasy premises I’ve come across in a long time and it’s beautifully executed. The world building for the story is sublime and I want to read so many more stories set in this universe! Not only were the setting and world building engaging, the characters leapt off the page and brought the story to life for me. I could imagine their voices, the way they looked, everything so clearly.

My heart went out to Nancy and I was particularly taken by her experience having tumbled into a world that wasn’t sunshine and rainbows, as some of the worlds in the books were described, but one that is more silent, deeper and a bit darker. I am absolutely a fan of sunshine, unicorns and rainbows without question, but my experience of that is enhanced when there is shadow and darkness to the lightheartedness. I also love how well McGuire demonstrates that sunshine and rainbows do not inherently equal benevolence or fairness, and that the darker or creepier worlds are not necessarily malevolent or evil.

What especially struck me about this novella, and I think it’s an aspect that makes this particularly good reading for young/new adults is the way in which Nancy experiences isolation and difficulty with her family after she returns from her world. Nancy’s experience parallels the experience of many who are struggling personally with something that their families don’t or can’t understand. Across the experiences of other characters in the novel like Kade, Jack, Jill and Sumi, the concept of family and the relationship with family as being complex, fraught and difficult on several levels is explored including having family, not having family, being loved and wanted, or unwanted and misunderstood by family.

Additionally, the novella includes a spectrum of characters with different experiences, not all of them are white, one is asexual and another is transgender, and this too mirrors the experience of people reading who want to see themselves in fiction, and see how other characters think about their lives, feelings and experiences and process them. I sincerely wish I had a book like this for when I was growing up, I needed this book growing up and I needed it now to look back on my past and growing up and the impact of being misunderstood and out of place on me. That profound sense of not belonging so much that you lose yourself in fantasy trying to cope – for the characters in the story that’s more literal than metaphorical but it really hit home for me. Wanting to belong and trying to find that place, finding it and losing it, trying to find a new sense of home and belonging afterwards. This story is profound on several levels.

I also love the overt feminism of the story in considering why there are so many more girls than boys who go through secret doors into hidden worlds. The idea of boys being too loud to be easily missed, and the expectations and assumptions about how boys play and what will happen to them versus the way in which we seek to protect girls, but also how we impose upon them a silence and stillness that means that it is easier for them to be misplaced, should they find a door and go wandering. This is a pointed commentary and it draws on the generalisations bound up in traditional gender roles reflecting not only a bitter truth contained within, but also the constraint that is imposed upon people to be, to not be, to conform a certain way.

I have no criticisms to level at this novella, as one reviewer put it: it’s damn near perfect. It packs an emotional punch, it’s beautifully written, the length is accessible – it’s neither too long nor too short and it leaves you wanting more. I am my own doorway, I am the only one who gets to choose my story and I make the decisions that govern my narrative. Every Heart a Doorway will stay with me for the rest of my life.