Snapshot 2016: Interview with Stephanie Lai

Snaphot Logo 2016

My interview with Stephanie Lai, and as you can see I get to interview some of the most awesome Stephanie types in Australia! I conducted this interview as part of Snapshot 2016, reposted from the original over at the Australian SF Snapshot Project. #Snapshot2016.


Stephanie Lai author photoStephanie Lai is a Chinese-Australian writer and occasional translator. She has published long meandering thinkpieces in Peril Magazine, the Toast, the Lifted Brow and Overland. Recently, her short fiction has appeared in the Review of Australian Fiction, Cranky Ladies of History, and In Your Face. Despite loathing time travel, her defence of Perpugilliam Brown can be found in Companion Piece (2015). She is an amateur infrastructure nerd and has a professional interest in climate change adaptation and sustainability. You can find her on twitter @yiduiqie, at stephanielai.net, or talking about pop culture and drop bears at no-award.net

Congratulations on your Artist Residency in Singapore! What excites you most about getting to spend three months concentrating on your creative work?

Thank you! Only EVERYTHING. I’ve never had the chance to really sit and just focus on my practice before, undistracted by calling my mum or cleaning up after the cat or visiting my friends who coincidentally have days off work. So the idea that I’ll be able to just sit and work is intimidating but so exciting, too. I’m also very excited about exploring something that is so personally important to me (the impact of traditional culture and cultural identity on how people interact with climate change information/instructions, particularly in Asian communities), and that has an impact on both my professional day job and my writing. Although I’m going to be working on community research for a research memoir, I expect the understandings and learnings and all the fun stuff will have an impact on my science fiction, too – so it’ll just mean even more climate change fiction about Chinese-Australian ladies. 😀

The residency is facilitated by Asialink Arts and located at Grey Projects in Singapore, and my grant is through the Malcolm Robertson Foundation.

Cranky Ladies of History - coverYour story about lady pirate extraordinaire Cheng Shih in Cranky Ladies of History was fantastic, and barely scraped the surface of how awesome she was historically. Is there a chance that you would consider writing more of her story in future?

Yes. I desperately want to look at how Cheng Shih’s domain and reign would have changed in a silkpunk world; or a world where she truly was the (Water) Dragon of the South Seas.  My piece in Cranky Ladies was very much set in our world as we understand it, and I’d like to explore that in a science fiction or fantasy setting.

If you had the opportunity to edit an anthology of your choice what kind of project would you want to put out into the world?

South East Asian climate change SFF written by South East Asians. Our islands will be impacted, and in many ways are already being impacted (our first climate change refugees are coming from the Pacific, from Tuvulu and Kiribati), and I’m interested in how people envision that. And in creating more spaces for South East Asian SFF.

What Australian work have you loved recently?

Since last year’s Snapshot I’ve really loved Orphancorp by Marlee Jane Ward (Seizure) and The Family Law by Ben Law, which wasn’t published recently but was a delight. I’ve also appreciated, rather than loved, a book by my housemate’s dad (Putting Stories to Work, Shawn Callahan, self-pub), which is about great using stories in business and not-profit contexts to change hearts and minds, and has really helped my professional storytelling practice (Storytelling is such an important part of climate change communication, and one which is often overlooked).

I am really looking forward to reading The Island Will Sink by Briohny Doyle, which just came out last week through The Lifted Brow.

Which author (living or dead) would you most like to sit next to on a long plane trip and why?

I don’t talk to strangers on long flights! But I guess in the spirit of this question, my answer is either Pu Songling, Ted Chiang, or Maxine Beneba Clarke.

‘Womanifesto’ – Alison Lambert

Copyright Hecate Press, English Department 1992. 
Hecate. St. Lucia: 1992. Vol. 18, Iss. 1; pg. 105. 

Womanifesto 
by Alison Lambert 

When I’m writing I’m not Mills and Booning in his arms

When I’m writing I’m not learning 30 ways to please a man

When I’m writing I’m not dreaming up new ways with chicken

When I’m writing I’m not colour co-ordinating my wardrobe

When I’m writing I’m not trying to hold my tummy in

When I’m writing I’m not raising model children

When I’m writing I’m not taking his son to football training

When I’m writing I’m not decorating his weekend

When I’m writing I’m not getting my legs waxed

When I’m writing I’m not pretending to be 20 years younger

When I’m writing I’m not apologising for being 20 years older

When I’m writing I’m not keeping him off the streets

When I’m writing I’m not distributing Amway

When I’m writing I’m not vacuuming the shag pile carpet

When I’m writing I’m not hoping he’ll phone

When I’m writing I’m not feeling guilty about the washing up

When I’m writing I’m not cooking apricot barramundi caprice for his boss

When I’m writing I’m not worried if the grey is showing

When I’m writing I’m not listening to some man talk sexist crap

When I’m writing I’m not worried if I haven’t washed my hair

When I’m writing I’m not wishing my tits were like hers

When I’m writing I’m not going to the shops – again

When I’m writing I’m not thrilled that he’d kill me if he knew

When I’m writing I’m not even aware that I’m small

When I’m writing I’m not hanging back while he speaks

When I’m writing I’m not in tears if he doesn’t understand

When I’m writing I’m not pretending it’s fantastic if it’s not

When I’m writing I’m not apologising for having my period

When I’m writing I’m not apologising for not having my period

When I’m writing I’m not surviving on two lettuce leaves and a banana

When I’m writing I’m not at the doctor’s for tranquillisers

When I’m writing I’m not getting my beauty sleep

When I’m writing I’m not Mrs Somebody

When I’m writing I’m not anxious that he won’t like it

When I’m writing I’m not serving everyone else first

When I’m writing I’m not a nice little woman, not at all

————

Reproduced from online source without permission, but with no ill intent. I merely wish to share something awesome discovered amidst essay research. I think having looked at the writings of Joanna Russ, read several discussions around the publication of female writers and related difficulties, that this piece (like Russ’ work) remains scarily relevant today, in 2011.