Author: Kaaron Warren
Publisher and Year: Twelfth Planet Press, 2012
Genre: speculative fiction, horror, Australian
From Bram Stoker Award nominated author Kaaron Warren, comes Book 6 in the Twelve Planets collection series.
Country road, city street, mountain, creek.
These are stories inspired by the beauty, the danger, the cruelty, emptiness, loneliness and perfection of the Australian landscape.
‘Every Warren story is a trip with no map.’ – Gemma Files
‘Her fiction shifts across genres smoothly and intelligently, never settling for the easy path… she doesn’t flinch.’ – Andrew Hook
‘As with most of the best horror writing … the power of Warren’s strongest stories comes from the mirror they hold up to our everyday practices and prejudices.’ – Ian McHugh.
This review is presented as part of my contribution to the Australian Women Writers Challenge 2016, and as part of the Journey Through the Twelve Planets Reading Challenge.
I’ve been thinking about how to approach my review for this collection. It’s definitely one of the more challenging books I took on reading this year – it took me months to work up to it, quite a while to read through (because I am just not very good with horror at all), and then I’ve been sitting on trying to think how I review this book. It’s a masterful collection of horror stories. This is an excellent standard and example of non exploitative and non-gratuitous horror. The horror within these pages is all to real, all to accessible and relatable – that’s what makes it horrific.
I think I will talk about this book in two parts. I will talk about the first three short stories because they worked really well together as an introduction to Warren’s work. They were creepy and horrific but not so much that I worried about falling asleep at night. My heart went out to the protagonist in ‘Creek’, but the standout of these shorts for me was ‘Road’. It was equal parts creepy and caring but I really liked it.
To talk about ‘Sky’ wow… I don’t even know how. It’s an exceptional novella. I think it goes up there with one of my other reading experiences ‘Wives’ by Paul Haines as something I’m definitively glad to have read, but never want to revisit and might need a support group having now read it. Actually I found a lot of parallels in the reading of ‘Sky’ and ‘Wives’, the familiarity of an Australian cultural background to the story was very real to me – as was the way that setting was presented as a kind of innate horror in and of itself. Whether Warren intended it or not, the entire background of the protagonist, where he came from, his family, Canberra and the town of sky were all coded as horrific to me from the beginning. This novella was a like a slow boil of horror and scary.
That’s true of the last page which absolutely gutted me, and nailed home the depth of the horror involved and how slow-boiling that had been. I can still remember the description on the page, can recall the images that came to mind and the emotion that came with them and I’m *gutted* all over again. Congratulations to Warren because wow, that’s visceral and I’ll never forget it. (Late at night I wish I could!)
I think one of the things that really got to me about this book, and all the stories within it, was that at every point there seemed like there could be a turning point, and uplift in the story and I kept looking for it, kept hoping for it and there were nods to it, suggestions of it, but then especially with ‘Sky’ it never eventuated – and in such a way that really drove home the story and its horror. I think it is absolutely a testament to Warren’s skill that I kept looking and hoping and reaching, until the very last moment. At every point I was firmly within her grasp. Hooked.
I am not someone who ‘enjoys’ horror, but I think it is valuable to sometimes read outside my comfort zone and to challenge myself. Is it horror I don’t like, or merely some kinds of horror. Okay, so it’s horror in general, but sometimes it’s worth it anyway. I think that’s where I am at so far – and that’s part of my experiment in reading these collections is that several of them include stories that are embedded in the horror genre, it is a chance to explore my experience of the genre without traumatising myself too badly in the process. Also, since each collection is so far of outstanding quality, i can rely on the curation of the stories to be worth my time to try out in my exploration and that counts for a lot with me too.
If you are someone who wonders if you hate all horror stories or if there is more to the genre for you, I highly recommend this collection. If you are already a fan of horror – particularly the insidious kind that seems all too plausible and normal, then this is also for you. ‘Through Splintered Walls’ is creepy and disturbing and scary. It’s brilliantly written. I’m so glad I read it, even if I now need a support group.