Review: Bookishly Ever After by Isabel Bandeira

Pale blue book cover with flowery font text for the title and author name, there is a silhouette of female figure in a white dress blurred in the background and pink curlicue flowers surround the text and the blurry figure. ARC Review:

Title: Bookishly Ever After

Authors: Isabel Bandeira

Publisher and Year: Spencer Hill Contemporary, 2016

Genre: young adult, romance, contemporary

Blurb from Goodreads:

In a perfect world, sixteen-year-old Phoebe Martins’ life would be a book. Preferably a YA novel with magic and a hot paranormal love interest. Unfortunately, her life probably wouldn’t even qualify for a quiet contemporary.

But when Phoebe finds out that Dev, the hottest guy in the clarinet section, might actually have a crush on her, she turns to her favorite books for advice. Phoebe overhauls her personality to become as awesome as her favorite heroines and win Dev’s heart. But if her plan fails, can she go back to her happy world of fictional boys after falling for the real thing?

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

As someone who really enjoys reading books, and enjoys in particular the relationships, romances and friendships in books this book was right in my wheelhouse! It’s a cute YA about a girl who likes reading and knitting having a crush, being crushed on and figuring out real life romance for the first time. I really like that Phoebe was both curious about and a bit bewildered by the contrast between real life romance and the romances in the books she was reading. I loved that she saw herself in the heroine protagonist’s role time and again, and that she aspired to romance as awesome as those she was reading about.

I really loved the naive fantasy at play here – nothing bad happened to Phoebe! I found the way the story unfolded to be really believable for me because she’s a teen girl with her first real life romance experience. She was clumsy, so was the boy she liked. I liked all the supporting characters actually, her friends were varied and interesting, I liked the happy queer romance that her friend was enjoying, I liked that Dev was Indian and heavily involved with his cultural background, including travelling back to India during the story. There were just nice touches that made it a bit more real for me.

That said, I have minor complaints about the story becoming clunky in the second half, the way the romance unfolded was believable  but it was an effort to keep reading in some places because while I hate insta-romance in most cases, things here also seemed to just take forever – but not in a slow burn awesome kind of way, there were slow places that were a little boring and the let down the pacing a little. This is a minor criticism, and as a debut novel it’s a great beginning.

If you like sweet romance that’s non-explicit involving books, knitting, archery and camping, I highly recommend this book, it was great fun, the characters were endearing and I enjoyed reading it a lot. This book stands alone really well. However, I understand that there is also second book in the series forthcoming, I’ll definitely be looking forward to that when it comes out.

On Problem Daughters: Interviewing the Editors

Inspiration image for Problem Daughters anthology, a silhouette of a woman against a starchart background in browns, oranges, and topaz coloursProblem Daughters will amplify the voices of women who are sometimes excluded from mainstream feminism. It will be an anthology of beautiful, thoughtful, unconventional speculative fiction and poetry around the theme of intersectional feminism, focusing on the lives and experiences of marginalized women, such as those who are of color, QUILTBAG, disabled, sex workers, and all intersections of these. Edited by Nicolette Barischoff, Rivqa Rafael and Djibril al-Ayad, the anthology will be published by Futurefire.net Publishing and is currently being crowdfunded.

What initially prompted this anthology?

Nicci: It started from a Twitter chat about defining feminism; how do we define a work as feminist, and what presuppositions is that definition based on, etc. We talked a lot about the absurdity of using the Bechdel-Wallace test as sort of litmus test of whether individual works are “feminist enough.” That got us talking about the exclusionary nature of certain models of feminism, and how that exclusionism informs literature that calls itself feminist. How do dominant models of Western middle-class feminism influence our ideas of what is, and more importantly what isn’t a feminist story? At that time, I was still feeling hot-headed over the way that dozens of avowed feminists in Hollywood reacted to the idea of decriminalizing sex work for the safety of sex workers (in a shockingly ignorant, tone-deaf letter to Amnesty International) and so, on a personal level, I guess I just felt ready to put a challenge out there. Do you think you already know what a feminist looks like? Can you call it Feminism if you elect to ignore all the women in this great, big world who don’t share your values? Anyway, I think Rivqa and Djibril must have been feeling something similar, and probably have their own catalysts.

Djibril: Yes, on the one hand it was easy enough agreeing on what an inclusive definition should look like, because we were all on the same page, but formulating that in writing was another story. We knew what we meant, and when speaking to and for ourselves we could say vague things like “and everyone else.” Once we had started to iron out a better definition, highlighting the inadequacy of exclusive feminisms and the importance of boosting the voices of marginalized women and recognizing the intersections of misogyny and other bigotries, we started to feel like we had a text we could do something with. At some point we realized we had the germ of a call for submissions for an anthology or themed issue… and we thought, why don’t we actually run with that?

Rivqa: As we refined our message and purpose, what started as a throwaway comment felt more and more important… and here we are.  

Has that motivation shifted or changed given global events over the past year?

Rivqa: When we first started talking about this idea, a year and a half ago, it already felt crucially important. Not that others aren’t doing similar work, but that we need more, so much more, to balance out the voices that have dominated our genre for so long. But the US election this year really galvanised me. Although it meant we had to delay our crowdfunding campaign, it deepened my sense of purpose. In my journal that day, one thing I wrote was “activist purpose in everything I do”, and to me Problem Daughters is an embodiment of that. We want to make an entertaining and beautiful book, but if it changes even one person’s life for the better in a miniscule way, I’ll feel my aims have been achieved.

Djibril: I second all of that, but I’d also add that the anthology has grown, in our minds. As we said just now, we started off thinking about it as a themed issue of the online magazine, but then given the variety and the mix and the genres/media we wanted to see in it, that just wasn’t big enough. We also wanted to pay better than the ’zine does, because that’s especially important when focussing on under-represented voices (otherwise you’re effectively asking already marginalized people in particular to work for free, which is unfair bordering on exploitative). We know that the authors who write the stories and poems are going to put wonderful work into this anthology; we want to make sure that we also do everything we can to contribute to that.

Nicci: As a minor addition to this, I think we liked the symbolism of launching with the new year. However anyone personally feels about 2016, I think we can agree that it was not a great year for women. But we can’t change 2016, so we wanted to, in whatever small way we could, set the tone for the new year. Not in opposition to anything (not even our newly-minted US tyrant), but for women. We are fighting back, but I’d like to think we’re fighting for understanding, rather than against those who don’t yet understand.

What has been the biggest challenge in putting together this anthology?

Nicci: Fundraising has presented quite a number of challenges, but I would say our greatest challenge lies ahead of us, with the stories themselves. I suspect and hope editing this anthology is going to be a bit like being in a roomful of brilliant, expressive people who all have something important to say. Our impossible task will be to pick just a few voices out of the crowd and hope they can adequately represent those who were not chosen. But that’s always the challenge of trying to put together a diverse, vibrant, truly intersectional anthology. It should feel kind of impossible. If it doesn’t, we’re doing it wrong.

Rivqa: I think refining our message was a bit of a challenge. We went through a few different ideas and while all (or at least most) were interesting, some of them were overly restrictive. I hope we’ve struck a balance of being broad enough that thinking of what to write isn’t an onerous challenge, but specific enough to be welcoming to the type of authors we’re hoping to attract.

Djibril: We’re also taking seriously the challenge of getting the word out to as many and as varied writers as possible, including authors in genre and those from other literary traditions; including established short story writers and poets and essayists and campaigners, but also those who have lived experience that they’re not used to making fiction out of; including both those who will see our Call For Submissions in writers’ groups and resources, and those who would miss it if all we did was put it up in the dozen most popular venues and listings. We want this CFS to be seen by “own voices” authors, by people whose writing is infused with the beauty and the scars of a million lived marginalizations, among them of course those who write different intersections than those they identify as their own. This will require serious outreach, and also help from many different communities and networks, and we’re reaching out to these all the time. We haven’t done enough yet.

What does intersectional mean to you all, especially in relation to producing an anthology like this?

Nicci: For an anthology like Problem Daughters, I think it’s about recognizing that there are many, many feminist movements, each with their own set of vastly different concerns. That the term “women’s issues” does not refer to a fixed set of priorities put forth by an oligarchy of great female minds. Because it is not actually possible to separate the experience of one’s gender from the experience of one’s class or race or level of ability or orientation, we’ve got to accept that not every woman is going to have the same priorities as those dictated by culturally dominant feminist movements. But her concerns are part of a lived reality, and excluding her voice from the feminist conversation does not make that reality go away. For us, I think it means deliberately choosing stories from those underrepresented feminisms.

Rivqa: Yes, all of this. I’d add that to me, intersectionality might sound like a mathematical concept, but it’s far more complex than that. We’re not merely the sum of our advantages and disadvantages, and people with the same broad intersections might have wildly different experiences for any number of reasons. Life is complicated and messy and nuanced! So we’re hoping to be representative, not exhaustive.

What other books or anthologies would you recommend for people trying to increase the diversity in what they are reading?

Djibril: If I may start by cheekily mentioning the previous Futurefire.net anthologies, Outlaw Bodies, We See a Different Frontier, Accessing the Future and Fae Visions of the Mediterranean, which all cover diverse topics (body politics, colonialism, disability and polyglot culture respectively) as well as feature a range of authors and materials. Other recent anthologies that have caught my eye include Kaleidoscope (edited by Alisa Krasnostein & Julia Rios); African Monsters (Margrét Helgadóttir & Jo Thomas) and Asian Monsters (Helgadóttir) from Fox Spirit Books; both Long Hidden (Rose Fox & Daniel José Older) and Hidden Youth (Mikki Kendall & Chesya Burke) from Crossed Genres; the Apex Book of World SF series (edited first by Lavie Tidhar, now by Mahvesh Murad); Beyond Binary (Brit Mandelo); Octavia’s Brood (Nisi Shawl); Mothership (Bill Campbell & Edward Hall). There’s a lot out there, if you’re really looking for it. (If only it didn’t need to be collected like this, but were actually the majority of all SF published!)

Rivqa: In recent years, I think there are more publishers that have made a commitment to diversity in interesting ways, and seeking these out is an easy way to diversify one’s reading. Here in Australia, Twelfth Planet Press does consistently impressive work (disclosure: I’ve been published by them twice and will be working with them in the future, but I had nothing to do with their choice of focus). All the presses Djibril’s already mentioned are likewise impressive; Aqueduct in the US is another. Then there are the magazines: Glittership, Capricious, Uncanny, Strange Horizons, Lightspeed’s “Destroy” issues, and, of course, The Future Fire. There’s a lot out there, and a lot of free content as well.

Can you tell me about three things you’ve read and enjoyed in the past year, (anthologies/shorts/novels/series/other media)?

Rivqa: I absolutely loved Binti, by Nnedi Okorafor. Although my culture is very different from that of the titular protagonist’s, the tension between tradition and broader knowledge — and home and the wider  universe — is one I could relate to all too well. Plus, structurally, it’s one of the best novellas I’ve ever read. The pacing and writing are just perfect.

Djibril: I really enjoyed reading L.S. Johnson’s collection of previously published short stories, Vacui Magia. As I wrote in my review at the time, this is a masterfully dark collection that explores gender alongside all sorts of other marginalizations, and grief, power, exploitation, violence, revenge, the divine. This leaps to my mind over dozens of stories and novels I’ve read since, so it really did have staying power.

Nicci: I finally got around to reading Kij Johnson’s novel The Fox Woman, which has one of the most delicate, sad, joyful, historically sensitive portraits of a marriage I have ever read in speculative fiction. I’m also currently enthralled by Sofia Samatar’s The Winged Histories, a story with four very different female protagonists.

What books or other media are you excited about for the coming year?

Rivqa: Makes sense to say Binti: Home, right? There are a lot of books I’m looking forward to. Plus, I’m taking a break from Aurealis Award judging, so when I’m not reading slush, I can actually read more novels. I’m aiming to read more marginalised authors, including but not exclusively Own Voices writers, but I haven’t set specific targets because doing so stresses me out a little. I’ll see how it goes,anyway.

Nicci: Is it too much of a dodge to say I am really looking forward to being buried under a mountain of stories by authors we’ve not yet heard from? Because the thing carrying me through this (as Rivqa pointed out) year and a half marathon journey is the knowledge that soon I won’t have time for anything but the slush pile, and if our outreach is at all successful, I can’t tell you what that would look like.

Djibril: Because you included media, I’m going to say that I’m really impatient to see Hidden Figures (maybe not scifi, but it is about space travel!) which isn’t out here in the UK until late February. I may also take the opportunity this year to catch up on a couple of more diverse TV shows that I’ve not got into yet, like Dark Matter, 3% and The Expanse. I guess there’s the second season of Cleverman coming up soon, too.


Close up image of an eye with a vertical slit pupil, furred around the outside. Djibril al-Ayad,

Djibril is a historian and futurist, co-edited the anthologies Outlaw Bodies, We See a Different Frontier, Accessing the Future, TFF-X, Fae Visions of the Mediterranean and has edited The Future Fire magazine since 2005.

A smiling blue-haired woman in a colourful top looks downwards away from the camera, the background is an outdoor setting maybe a playgroundNicolette Barischoff

Nicolette was born with spastic cerebral palsy, which has only made her more awesome. Her fiction has appeared in Long Hidden, Accessing the Future, The Journal of Unlikely Academia, Podcastle, and Angels of the Meanwhile. She regularly writes about disability, feminism, sex- and body-positivity, and how all these fit together. She’s been on the front page of CBS New York, where they called her activism public pornography and suggested her face was a Public Order Crime.

A woman with glasses faces the camera, it is a close up and she is smiling. There are bookshelves filled with books in the background. Rivqa Rafael

Rivqa is a queer Jewish writer and editor based in Sydney. She started writing speculative fiction well before earning degrees in science and writing, although they have probably helped. Her previous gig as subeditor and reviews editor for Cosmos magazine likewise fueled her imagination. Her short stories have appeared in Hear Me Roar (Ticonderoga Publications), The Never Never Land (CSFG Publishing), and Defying Doomsday (Twelfth Planet Press). In 2016, she won the Ditmar Award for Best New Talent. She can be found at rivqa.net and on Twitter as @enoughsnark.

2017 Reading Goals

Time to talk about my reading goals for 2017! My plans are not dramatically different from past years, but I’m tweaking things to work better and trying to be ambitious in what I achieve. However, I am trying to be mindful of doing this in ways that are within reach given I’m heading into my final year of my midwifery degree. Reading is one of the things I do for self-care and stress relief – even when in semester I’ll still read for pleasure. I also find I get a bit stressed and lonely, so I’ve found that joining in with bookclubs and challenges can often be helpful for feeling connected and involved in social things, without having to use up a lot of energy to leave the house.

Overall Reading Goal

Blue banner image with picture of a book in white and the text Goodreads 2017 Reading ChallengeOnce again, 75 books seems to be the right length to aim for – I did do a little better than that in 2016, but some were shorter reads, plus it’s my final study year so I will probably be busier than previous years. Also, as with all goals this is something to aim for and give me a bit of a challenge to enjoy, it’s not about beating myself with sticks. I’m quite determined to maintain this outlook with all my goal-setting because it has to work for me, not against me.

Reviewing

In general I want to continue reading and reviewing, I am loving seeing the number of my reviews grow – both here and on Goodreads. Plus, I want to continue to review and promote new books when I can get advance copies, particularly for indie publishers.  Additionally, I am hoping to get back to doing some of my Retro Fiction Review Series for older books that could use a boost in attention. There are so many books being published that it’s easy for some great books to be overlooked and I’d like to draw some attention to ones I think deserve some more love. As far as the time frame for ‘retro’, I’m thinking books published prior to 2000.

Australian Women Writers Challenge 2017

Silhouette of a woman with an umbrella black on a blue background with text Australian Women Writers Challenge 2017.This is the reading challenge that I’ve participated in the longest, and I love it as much now as the first time I got to join in. This year I’m pledging to read and review 15 books by Australian Women Writers. As part of that challenge I’m also trying to improve on the diversity in my reading to include women who are queer, Indigenous women and women from different cultural backgrounds and experiences to myself as a white Australian person.

This is a great challenge to take on because you can set your own level of participation. You can nominate to read and review, or if you don’t want to review that’s fine too! This year there is a specific focus on drawing attention to Australian Women Writers who come from diverse backgrounds, but also to raise the profile of some Classics by Australian women. There’s already quite a lot of excited discussion about this focus, with the nominal definition of ‘classic’ being written at least 30 years ago and being significant at the time it was published, or to have had a lasting profile/impact in Australia or a region. I’m not taking on the Classics focus for my challenge but as a long time fan of Elyne Mitchell’s Silver Brumby books, I am hoping lots of other people fall in love with these – and maybe I’ll pick up the subsequent books to reread, it’s been a long time and I’m probably overdue to reread.

Goodreads Reading Challenge

The main challenge has an active bookclub group that does a bunch of long and short, easy and difficult challenges, plus buddy reads and a gift exchange at the end of the year. I enjoyed participating in several buddy reads and challenges last year and am going to join in again. If you want to follow the things I’m doing, I’ll be tracking all the various challenges and so on in this forum post. I’m already doing a buddy read in January – we’re reading Sorcerer to the Crown by Zen Cho. I’ve also signed up for some year long challenges and a couple of first quarter challenges:

Bout of Books button with determined woman in yellow looking tired and surrounded by books.Bout of Books 18

For the first time ever I’m participating in the Bout of Books reading marathon – it’s an easy going challenge that is purely about encouraging you to read a bit more than you’d already planned that week. I like the tag line that says ‘I was planning to read this week anyway’ because, that’s true. And now this week I get to enjoy the company of a bunch of other people who are also participating – it’s rather lovely to be involved in all the twitter loveliness.  You can read my progress post for Bout of Books 18 where I’m keeping a record of what I’m reading, how much and also of the challenges I’ve participated in.

Banner with purple-pink rainbow art with flowers and flourishes and a book, tex treads Read Diverse 2017 where diverse is in rainbow colours.Read Diverse 2017

As part of my ongoing desire to improve on how diverse my reading is, particularly in intersectional ways where I’m privileged, I’m using this challenge to be a background reminder for me for the reading I was going to be doing anyway. Despite the name, it’s about reviewing and promoting works by marginalised authors as well as works that feature marginalised characters. Intersections with queerness and disability and whiteness, gender and a few other elements are the focus. I’m not going to lie, the art is definitely one of the reasons I was drawn to this particular challenge.  How pretty is the button?

Bookclubs

I still want to participate in some of the other bookclubs that I’ve enjoyed, like the Sword and Laser Bookclub, the Vaginal Fantasy Bookclub and I’ve also been participating in the readalong with the Magical Space Pussycats podcast. I’m also hoping that Tansy Rayner Roberts’ Inky Valkyrie bookclub gets up and running (if you were looking for an awesome patreon with excellent speculative fiction content to sponsor, her’s is a good one).

Finish the Journey Through the Twelve Planets Challenge

Image of a series of vertical book spines showing the twelve planet books in various colours. Header text white on transparent black overlies the image with the title 'A Journey Through the Twelve Planets'.Steph and I started this last year, we got half way through the year all on time and so on and then the mid-year just hit us both really hard. Plus, I was in the midst of a very busy semester and am not a horror reader at the best of times, so it took me a lot longer to get through Kaaron Warren’s Through Splintered Walls than I had anticipated, I expect Cracklescape by Margo Lanagan will be a similar story (but it will also be worth it I am certain). The aim is to finish the final six books in the challenge in 2017 and I am looking forward to it and that we’ve got the whole year to do it in.


That’s what I have so far, and hopefully I’ll exceed expectations in these goals I’ve taken on! I hope to report on how I’m tracking sometime around mid-year, but we’ll see how that goes (it’s a very busy time of the year for me study-wise so I may be dreaming that I’ll get the blogging time then).

 

 

AWW16: Kid Dark Against the Machine by Tansy Rayner Roberts

Australian Women Writers Challenge 2016: Book #11

Australian Women Writers Challenge 2016 BadgeTitle: Kid Dark Against the Machine

Author: Tansy Rayner Roberts

Publisher and Year: Book Smugglers Publishing, 2016

Genre: fantasy, super heroes

 

 

Kid Dark Against the Machine - coverBlurb from Goodreads:

From the award-winning author of Cookie Cutter Superhero comes a brand new story about sidekicks, supervillains and saving the world

Back when he was called something else, Griff knew everything about superheroes, sidekicks and the mysterious machine responsible for creating them. Now, Griff is just an average guy, minding his own business. A volunteer handyman at the Boys Home—his former home—Griff spends his days clearing out gutters and building clubhouses for the orphans at the Home. Nothing heroic or remarkable about that, right?

But all of that changes when one of the Home kids starts having weird dreams about another Machine—an evil version that churns out supervillains. Griff remembers the call of the Machine, and reluctantly decides to help the kid on his mission.

And then they waltz back into Griff’s life. Those bloody heroes. Including him—The Dark—one of Australia’s mightiest and longest-running superheroes.

What’s a retired secret superhero sidekick to do?

 

My Review:

I’m an unashamed fan of Tansy’s writing and I absolutely could not resist a follow up story to Cookie Cutter Super Hero from Kaleidescope. I have to say that Kid Dark Against the Machine was a glorious follow up story in this universe. I loved it! Griff is a great character, he’s so likeable and relatable the moment you meet him – and you can absolutely see where he’s coming from as a child superhero trying to figure out what on earth to do with his life after.

I love the themes that this story explores, also in keeping with the original story. Superheroes and tropes used by them and in comics. While Cookie Cutter Super Hero introduced us to some of these criticisms, I really think that Kid Dark Against the Machine brought it home – I don’t think you can read this story (either of them really) and look at super heroes and comics the same way.

I loved that this story made super heroes accessible to me as a reader who is only occasionally interested in the superheroes and comics genre. I didn’t need ten years of back knowledge to understand what was going on, Tansy gave me everything I needed to appreciate every snarky moment and subversive twist in the story. I loved all the names of the heroes and the villains, I loved that the hero and villain processes for selection and being in the spotlight were so different. I loved that being a super hero wasn’t lauded, and that there was this narrative time given to the person and human left behind once the world has moved on to other super heroes.

Kid Dark Against the Machine is a fluffy story that tackles good versus evil in a whole new way – it tackles it in the cheesy fun way that comics do all the time, but it also tackles the assumptions that underpin the genre. Tansy manages this in a way that couldn’t be further from dry and boring, you get your pop culture, gender politics and child hero ethics lesson in a cute package that is over far too quickly.

I’m with all the others who are calling for a novel in this universe, it’s got so much to offer and I’d read it in a heartbeat. If you want a light read, but an intelligent one about super heroes and looking at what that might be really like underneath the surface, this story is definitely for you.

Favourite Books of 2015

I need to preface this post by first saying that many of the books I read for the Australian Women Writers Challenge, but because there were a whopping 18 books on my ‘best of 2015’ shelf, I decided that I would cover only those that weren’t in my AWW wrap up post. Expediency! Also, many of these I didn’t blog a full review for so it fits rather well I think overall.

Quickly in a list the books from my AWW reading that were on my best of 2015 list included: Peacemaker and Mythmaker by Marianne de Pierres, The Beast’s Garden by Kate Forsyth, A Trifle Dead and The Blackmail Blend by Livia Day, The Disappearance of Ember Crow and The Foretelling of Georgie Spider by Ambelin Kwaymullina, and The Dreamer’s Pool and The Tower of Thorns by Juliet Marillier.

This was a great year of reading for me, I got to read some truly exceptional books. Even though my overall reading count was lowish, I read with more intentionality and I reviewed much more than I ever have before – and I really enjoyed it. Some of the books I’m going to highlight are books in the middle of a series, some of them are series where each book is a consistent favourite, but there are a couple where a singular book in a series I’m enjoying generally is exceptional.

This year and last year had a much larger  number of favourites, not sure if that’s me getting better at picking books, or just chance but we’ll see what 2016 shows in about 12 months on that subject. Onto the list, in no particular order!

From Ashes Into Light by Gudron Mouw

From Ashes Into Light cover

 

 

 

 

 

 

 

 

The poetic style of prose from this book really stays with me. I loved the three points of view and the way the story was told. It’s hard to say specific things about this book because it kind of defies them, but it comes from within the point of view where those who come from dominant privilege should listen, and really take in the story that is being offered. This is a beautiful book coming out in 2016 and I highly recommend it as someone privileged to read the ARC.

 

Prudence (The Custard Protocol #1) by Gail Carriger

Prudence - cover

 

 

 

 

 

 

 

 

Having spent last year reading the Parasol Protectorate series by Gail Carriger I have been *so* excited about reading about Prudence! I also thought that Primrose was awesome and I love, love, love seeing the continuation of a universe over an extended period of time, transitioning to new characters. Prudence is such an interesting character – I love her youth and enthusiasm, the antics she gets up to and the adventures she has. I love the ensemble cast of this novel. I will say that my love of this novel comes with a caveat around the British colonisation of India because although this is a historical thing, it’s also a racist thing and it did make me feel uncomfortable.

 

Vision in Silver (The Others #3) by Anne Bishop

Vision in Silver - cover

 

 

 

 

 

 

 

 

I’m a very long time fan of Anne Bishop’s fantasy works, this new series by her is one I’m enjoying massively. I love series that involve engagement between humans and mythological/supernatural/otherworldly and this series plays on that idea further by making the humans the minority. I love the characters in this, I love that they are in many ways strange even to each other but that they have accord and work together. It’s a nice commentary on where we probably need to be on a global scale as community. Any way, it’s darker urban fantasy and I adore it.

 

Falling in Love with Hominids by Nalo Hopkinson

Falling in Love with Hominids - cover

 

 

 

 

 

 

 

 

This was such a strong and interesting collection to read! Once again I was reminded that given the right context, I do really enjoy short fiction. I savoured this book, I really enjoyed it and I tried to let all the words seep into my bones. Before this collection I was unfamilar with Hopkinson’s work – but she’d been on my ‘to-read’ list for absolutely ages! I’m so glad I got a chance to read this collection because I really got a sense of her writing, the kind of stories she wanted to tell. I’m so glad I had an opportunity to read this, it’s easily one of the best things I read this year.

 

Balance of Trade (Liaden Universe #3) by Sharon Lee and Steve Miller

Balance of Trade - cover

 

 

 

 

 

 

 

 

This is one of those situations where it only clicked what all the fuss about this series was in this book. The first two books were perfectly good reads but they didn’t thrill me like this one did. I loved Jethri’s story, I loved the politics of the trading and families. Trading intrigue is such a button for me and this book truly brought that awesome.

 

Shifting Shadows: Stories from the World of Mercy Thompson (Mercy Thompson Universe) by Patricia Briggs

Shifting Shadows - cover

 

 

 

 

 

 

 

 

I have been reading the Mercy Thompson books for a long time now, and I truly love them. Mercy is such an interesting character and she’s grown and changed so much since the series began. These short stories  were such a delight to read and I really felt like I got to know Mercy and others in the ensemble of characters much better. It is a beautiful addition to the series that slides lovely tidbits into the timeline in between books.

 

Ancillary Sword (Imperial Radch #2) by Ann Leckie

Ancillary Sword - cover

 

 

 

 

 

 

 

 

The first book of this series was magnificent, although it took a little while for me to truly be drawn into the story. That wasn’t the case with this book – I fell in head first and didn’t emerge until the end. I loved the exploration of colonialism and the way it impacts people, the way it affects power and those in charge. I loved that we get to see more of who Breq is and see how she relates more to those around her. I did especially also like that there was more tea in this book. I can’t wait for book three!

 

Cranky Ladies of History – anthology edited by Tehani Wessely and Tansy Rayner Roberts

Cranky Ladies of History - cover

 

 

 

 

 

 

 

 

This anthology is glorious! Everything you ever wanted in a fictional account giving insight into women from history who have been overlooked. There’s so much to love about this anthology and it just delivers story after story that pack huge punches! The collection is diverse in many ways and is highly recommended.

 

Gentleman Jole and the Red Queen (The Vorkosigan Saga #16) by Lois McMaster Bujold

Gentleman Jole and the Red Queen - cover

 

 

 

 

 

 

 

 

This will be brief because the book isn’t out yet and I don’t want to spoil people. I loved every moment of this book, it’s beautifully character driven, the story is personal to the characters and the domestic focus is unique and welcome. This book made me fall in love with Cordelia as a character all over again as well as gain deeper insight into who she is and what she wants now in her life after everything that’s already happened. I also fell in love with the series all over again and am already planning a reread!

And that’s it, that’s the list for 2015! Happy reading in 2016 everyone!

Spindle City Mysteries by Carlie St George

So 2015 is the year where I finally realised that I do like reading crime/mysteries afterall (although my youthful penchant for Trixie Belden should have clued me into that). I don’t like true crime or scary, gritty, thriller or true crime books, I like entertaining mysteries and crime – crime with fluff and even better if it’s fantastical and speculative. The Spindle City Mysteries are a most excellent example of what I’m coming to recognise as my taste in crime/mysteries. These stories are set in a universe of classic fairytales and have a noir feel to them, with a side of comedy to round them out.

The Bloody Little Slipper - coverTitle: The Case of the Little Bloody Slipper (Spindle City Mysteries #1)

Author: Carlie St George

Publisher and Year: Book Smugglers Publishing, 2015

Genre: mystery, crime, fairytales

 

Blurb from Goodreads:

“It was half past eleven when I saw her. She was standing at the top of the staircase, with restless fingers and defiant eyes, wrapped in blue silk that clung to her hips.”

Jimmy Prince is a private detective with a tendency to make bad decisions, take on hopeless cases, and ask too many questions. But no one is answering his inquiries about Ella, the mysterious dame who slipped into the Prince family gala, stayed for a dance, then disappeared at midnight leaving just a single bloody glass slipper behind.

With the help of his trusty assistant Jack (a street-savvy teen runaway who is as tough as she is resourceful), Jimmy finally catches a break when one of Spindle City’s most powerful players, the Godmother, lets slip that Ella is part of a much larger conspiracy and not at all who she seems. With every new clue, Jimmy finds himself a step farther down a path that threatens to uncover some of the city’s best kept, and most deadly, secrets.

In Spindle City, all kinds of tales get told… for a price. Asking the wrong question is a guaranteed one-way ticket to the long and silent ever after.

Taking on this new case might just be Jimmy Prince’s biggest mistake yet.

 

My review:

The Case of the Bloody Little Slipper caught my eye when I wanted to read and support more short fiction publishing and in particular wanted to support Book Smugglers Publishing. Fairytales in a noir crime setting sounded interesting and so I gave it a try. The cover itself drew my interest looking very reminiscent of Cinderella, but also hinting toward the noir style of the story. From the first I was transported into the universe of Spindle City, because the language was so markedly difference. This took a little getting used to, and some guessing at times but it was worth it and I felt immersed in the life of Jimmy Prince trying to solve the mystery of Ella.

I love the idea of ‘Prince Charming’ actually being dysfunctional, not too pretty and although that idealistic moral standard is definitely present in Jimmy, it’s definitely sarcastic and a little tarnished. Jimmy was a great protagonist to explore Spindle City along with his sidekick Jack whose story I’m really intrigued by! Ella as the disenfranchised, disinherited orphan is beautifully retold, retaining the mystery of the original fairytale while also giving her greater depth without the singular romantic focus. This story was refreshing and I just let myself enjoy the mystery unfolding – I’m less about guessing where mysteries and crime solving stories are going, and more about enjoying the ride.

St George has created a solid foundation in The Case of the Bloody Little Slipper with the Spindle City universe and I enjoyed every moment and couldn’t wait to read more!

 

The Price You Pay is Red - coverTitle: The Price You Pay is Red (Spindle City Mysteries #2)

Author: Carlie St George

Publisher and Year: Book Smugglers Publishing, 2015

Genre: mystery, crime, fairytales

 

Blurb from Goodreads:

“All women are dangerous,” Rose said. “Anyone underestimated is.”

When Jimmy Prince–excessively stubborn gumshoe and maker of terrible life choices–stumbles on the corpse of Spindle City’s darling actress and heiress Sarah “Snow” White, he and street-savvy sidekick Jack are once again on a case that threatens to expose ugly truths from Spindle’s dark underbelly. Turns out Snow’s death is no ordinary open-and-shut case involving something as mundane as a jealous coworker or spurned lover. Her murder points to a much deeper, insidious plot that involves some of Spindle’s biggest criminals–as well as some of its greatest, most celebrated citizens.

At stake is a rumored vaccine that could save thousands of lives from the Pins & Needles plague–a disease for which there is no cure, and that has already affected Jimmy’s friends and family in irreparable ways. But as Jimmy Prince knows all too well, hope is for saps, and The Spindle is not a city for those who believe in happy endings. Even when they want to, above everything else.

 

My review:

While we first met Sarah ‘Snow’ White in The Case of the Bloody Little Slipper, she wasn’t much part of that story and I hoped that St George would revisit her story later on. Wish granted! (Just like a fairytale really, complete with bitter edge). A story focused on the Snow White of Spindle City, but unfortunately she’s dead – and why? The impression we’d received in the first book was that she was something of a shallow actress, out to make a living and thumb her nose at her stepmother (lovely nod to the fairytale there).

Here in The Price You Pay is Red we discover there’s more to Sarah than we thought, and yet this is bittersweet because Sarah is already dead. We learn more about the ‘Pins and Needles’ disease that has ravaged Spindle City and that Sarah was likely killed because of something she had to do with a potential vaccine to the fatal wasting disease. This is near and dear to Jimmy’s past based on his own historical relationships.

Overall this  book was much less fairytale retold and much more noir crime  mystery, but that’s not a criticism, it brings that genre to life for me in a way that I may otherwise have never appreciated. Lovely continuation of the Spindle City mysteries.

 

The Long and Silent Ever After - coverTitle: The Long and Silent Ever After (Spindle City Mysteries #3)

Author: Carlie St George

Publisher and Year: Book Smugglers Publishing, 2015

Genre: mystery, crime, fairytales

 

Blurb from Goodreads:

“Hello, Prince,” the Godmother said. “I’m calling in that favor.”

When Rose Briar–cabaret singer, drug lord, and notorious secret-keeper–disappears without a trace from her club, The Poisoned Apple, Jimmy Prince and Jack are on the case once again. This time, the duo may have bitten off more than they can chew, as their investigation drags them into the path of the Spindle’s greatest and most formidable criminal–one who got her nickname for her tendency to burn her enemies alive.

It doesn’t help that Jimmy is having a hard time focusing on the case, torn between his head’s desire to do the right thing, and his heart’s insistence for that one person who always has three gats, a pen, and a smile at the ready.

But in Spindle City, the long and silent ever after waits for no one–and it’s Jimmy’s turn to dance with dragon.

 

My review:

How awesome are the titles for these mysteries? So freaking awesome. The titles alone make me want to read these books – that happens less and less I find, so I’m especially charmed. While this is the last of the Spindle City mysteries currently planned, I sincerely hope that this changes and that there are more to come because these stories are so wonderful and entertaining to read! I want to enjoy this unique universe and its characters for several books to come – this is truly a great candidate for an expanded universe.

I love that queerness, partnership and friendship feature strongly in this book – more so than romance or rather the romance is subtle, it’s not the main focus but it’s sweetly there to enjoy. I love that this book features more of Rose Red and also the Godmother – who in this universe is not the benevolent creature we’re used to. This story has more intrigue, more adventure and we also see Jimmy deal with his own pride, illness and mortality.

If there had to be a book where things ended (or more hopefully paused) then this is a great book to do that. The story satisfies and you get to feel like you’ve gotten a really good taste of what this universe and its stories are all about. I love the way in which Carlie St George has so beautifully created this noir fairytale sub-genre, the quasi-gritty stylised noir aspect maps surprisingly well to traditional fairytales and they come to life in a whole new way. (Am I the only one who thinks this would also make a great television adaption?) Congratulations to St George and Book Smugglers Publishing on a truly awesome series of books, I enjoyed them so very much and am recommending them far and wide.

Recent Movies Overview

In an effort to shut up and write about stuff rather than wait for it to be ‘worth talking about’, I thought I’d do some posts about movies, ones I’ve seen and want to see. The list of movies I still want to see is quite long, but I have made a start on it recently and so I thought I’d review those movies I have actually watched, it’s a mix of movies that I saw at the cinema and movies I watched at home.

If you want an overview of a bunch of excellent films that were first released in Australia in 2014, I can highly recommend Grant Watson’s review at The Angriest. You may also appreciate his beautifully detailed film review and criticism over at Fiction Machine. My list, is just a bunch of films that I watched in recent months (and mostly enjoyed).

My reviews are compiled in no particular order, chronological, quality or otherwise. It’s also a rather epic post, so here’s a table of contents for you:

Irving Berlin’s White Christmas (1954)

First and foremost what you need to know about this movie is that it’s a musical featuring Bing Crosby, Rosemary Clooney, Danny Kaye and Vera Ellen, who are all marvellously talented. I watched this on Christmas Day night, really late after watching Die Hard. I wanted to watch something delightful and lovely and all about the fluffiness that comes with Christmas. This is definitely that movie! One review I read of it described it as ‘pornographically sappy’ which I think is fairly apt – but never in a way that is less than fully satisfying.

I loved this film from start to finish, loved all the songs – loved especially Bing Crosby and Danny Kaye’s characters dressing up as Rosemary and Vera’s characters and sing ‘Sisters’ in order to help them manage a deft escape. While the film is all about the emotional reward and it’s set at Christmas time – the timing is incidental, it’s not a movie about Christmas, which I think adds to the film and its storyline. One of my favourite things about the movie is that one of the main plot arcs is about the two men doing the right thing by their former sergeant. Men and emotional engagement and Doing The Right Thing especially Just Because gets me every time. Also, several female characters including two who are also main protagonists, with motivations and backgrounds  and everything. In hopes of encouraging you to rent this charming movie, take a look at the trailer:

Pride (2014)

I just recently saw this at my local independent cinema and it easily became my favourite film of 2014. This film tells the story of real life events that happened in the United Kingdom during the 80s when the Miner’s Strike was a bitterly fought issue and a bunch of queer activists decided to try and help them by raising money. The connection between the activists and the village they work to help unfolds beautifully, it’s not an easy friendship to grow but things get managed, people come together and connect, they are grateful and they are inspired.

I was utterly caught up in the telling of this story by what is possible when that right combination of people happens, goodwill, determination and that sense of doing the right thing, again Just Because. I’m never going to get tired seeing people stirred by doing something greater than themselves, greater than their own community, and learning and succeeding, struggling and even at times failing. For the first time I actually understood the Union Movement in watching this film.

Pride is beautifully written and acted – it features Bill Nighy as the big name actor and he’s brilliant, but he’s not alone amongst a cast of brilliance. The movie is also laugh out loud funny – I’m not a person who laughs easily from movies but I laughed all the way through this. The movie is as poignant as it is funny, there’s a wonderful balance between these two elements and neither ever overshadows the other. Honestly, I cannot recommend this film highly enough.

Die Hard (1988)

How did I get to the age of 34 and not have seen this movie? I haven’t the faintest – it makes no sense to me given my love of 80s action movies. However, after we feasted on Christmas Day those of us gathered around the flat screen to watch Die Hard, and thus this gap in my movie watching history has been rectified. And I agree with the rest of my friends it would seem, that Die Hard makes a great Christmas movie (the opposite of White Christmas really).

What an action movie – when I think about present day action films I just feel like they don’t even try any more. It’s like there’s an assumption that more explosions and effects means a better movie – but without something of a plot and some great actors to make it (seem) plausible, effects and explosions fall flat in my opinion. I think Willis, Veljohnson and Rickman really make the film – it’s not a plausible story but because of their calibre of acting, you’re completely happy to just go with it. I will admit though, a purely financial motive obscured by seeming radical political affiliations seems remarkably believable all in all. So does the ruthlessness.

I love that although a very minor character in the entire movie charade, Bedella’s character Holly does get to be seen, she has clear motivations and background, ambitions – the works. She’s written and acted in a way that reflects her strength and her competence is reinforced every step of the way – with the unfortunate exception when at the very end when she becomes your classic damsel in distress. Despite that disappointment, the rest is still true and I noticed it several times during the movie.

One of my favourite moments in the film is when the villain goes after McClane and pretends to be a hostage who escaped. I love their exchange with each other and the way Gruber later uses our hero’s bare feet against him. It’s a tiny detail but it’s one that worked really well for me. Another favourite part of the movie is the way in which a relationship between McClane and Powell develops over the radio, they build such a regard for one another despite having never laid eyes on each other and the whole way through the movie, it feels real. These moments and several others really come together with the effects and ridiculous plot to provide solid and lasting entertainment that holds up to many re-watches. And now I can’t wait to see Die Hard 2 (I think I also have not seen this before, I am certain only that I’ve seen the 4th one).

No Country For Old Men

I think my conclusion after watching this movie is that Coen Brothers films are just not for me, I am the antithesis of their audience. I recognise that it’s a movie that is brilliantly written, directed and acted. However, the characters are utterly unlikeable, unsympathetic, irredeemable and I got nothing out of the resolution of the story. Things happened but none of the consequences made sense to me, none of the outcomes were really satisfying. I just hated watching it. I don’t quite want the hours of my life back – I’m glad I watched it. I’m glad because I can clearly recognise its brilliance while also being very clear that I hated it, because of what I look for in movies.

You’d like this if you like Coen Brothers films in general (Burn After Reading, O Brother Where Art Thou, Fargo, The Big Lebowski). I may still give those latter two a chance, I’ve heard they’re amazing films (hopefully with characters I don’t hate utterly). I did enjoy The Hudsucker Proxy,  but it’s a notable exception because the central characters are actually likeable and sympathetic. This is the one film I watched this year that I really didn’t enjoy but I’ve included it because of the complexities of not liking a film that is clearly so well made and acted.

Frozen

I finally got to watch this after I finished exams, it was one of those movies that my partners weren’t interested in watching so it languished on my ‘to watch list’ for ages. I am not certain it lived up to the hype for me, but there were a bunch of things as a feminist cultural theorist that I appreciated. I appreciated that the prince wasn’t the hero. I loved that it was about sisters overcoming adversity together. I love that there was an actual consent exchange for a kiss. I wasn’t a fan of the repression of self storyline reinforced by the well meaning parents. I wasn’t a fan of the classist way Anna is portrayed as being lonely and isolated in the castle but doesn’t seem to interact or make friends with any of the people working there.

I also still mourn that the movie wasn’t made true to The Snow Queen fairytale, which was about a girl who goes off to save her brother  Kai from an evil queen. I still feel that the reason they changed it was because Disney doesn’t feel a girl can go and save a boy as the main plot line (this is a gut feeling and not something I’ve researched  specifically, I’m fairly certain I could come up with some pretty compelling evidence to support my theory if necessary though). The music was lovely as were the songs – but they didn’t really win me over the way other songs in other Disney musicals have done previously. Overall this was satisfying, warm, and fluffy in the way I love my musicals, but I’m not sure whether it makes my list of ‘happy making, feel better, world as a better place’ movie list (I need a better name for it).

Maleficent

I loved this movie, I’m a long time fan of Angelina Jolie, and I also love that we got a film about a Disney villain – one of the most iconic villains at that – from *her* point of view. That said, I think that it was a movie with a lot of potential that never became fully realised. Kind of so close and yet so far in the end. I find myself in agreement with the critic consensus on Rotten Tomatoes about the film; Jolie does a lot with very little, and the film is very pretty, but it’s not enough.

The writing and depth of the storytelling by the film is lacking, the plot never really comes together for me, and yet I want it to so very badly when I watch it. However, if we dig deeper, the movie manages to make some great (and probably accidental) political commentary on the level of class where the human world is rife with injustice and inequality and the realm of The Moors portrays its citizens with equal say and standing. I liked best the way Maleficent spends time with Aurora as her own person, and not simply assuming she is an enemy. The connectedness Maleficent displays with Aurora and the completely ineffective fairies was really unexpected for me in the movie and I appreciated Maleficent’s connectedness and was saddened by how much the fairies were reduced to caricatures. I think this story arc had incredible potential and could have been utilised more thoroughly for an overall better movie (especially if the fairies had been fully realised as they were in the Disney movie).

I will draw your attention to this brilliant essay on Maleficent as an anarchist feminist fairytale by my friend Sky Croeser because through her analysis I appreciated the film much more. I couldn’t by myself put my finger on exactly why I loved the movie and yet was dissatisfied with it, but this analysis helped me to further contextualise what I wanted out of the movie and where it could be found. Hollywood may not have intended such, but it’s there anyway. Hopefully the essay also brings you greater enjoyment of a film that overall falls short, and yet is still special. In this present day, it’s something to have a movie with a named female  protagonist, an iconic villain – even if it’s not all we hoped such a movie would be.

Lucy

This film… I am not quite sure where to start. I wanted to like it much more than I did, I was very dissatisfied with it. Here we have a sci-fi action movie with a titular female protagonist, Lucy. And yet despite these elements which should produce a movie I’m head-over-heels for, the portrayal of Lucy’s character is lacking and I never really feel like she gets to be awesome in her own right – there’s a massive ‘but’ attached to the awesome. I’m thinking in terms of Joanna Russ here, ‘She was awesome, but it wasn’t her, it was the drugs inside her’, ‘She was awesome, but look what she did with it’ and so on.

Russ - How to Suppress Women graphic

I’m not a audience member who requires realistic science in my sci-fi – it’s nice but I’ve got a well developed suspension of disbelief. However I think Lucy goes well beyond any kind of line for believability which I think lets the film down significantly. While Scarlett Johansson is fantastic as Lucy and elevates the movie overall, it’s still frustrating to see the hints of what could have been an exceptional movie never realised. I will spend a moment to say that Morgan Freeman is wasted in this film, seemingly ‘The Intelligent Guy’ in an overall unintelligent movie, but also it’s clear he’s phoning it in. The story is way too ridiculous and the central character’s agency is entirely gutted. The action is fantastic, and so is Johansson, but otherwise this just fell flat for me.

Jabbed

There’s no IMDB listing for this documentary, but if you scroll down on this link you’ll see the synopsis and list of awards – they’re impressive.

This documentary comes from Sonya Pemberton, an Emmy award-winning Australian documentary filmmaker and looks at the fears surrounding vaccination, the reality of risks (though rare) as a result of vaccination, and the consequences on an individual and public health population basis for not vaccinating. What I loved about this documentary is that it works hard to convey the fears parents have over vaccination without demonising them. The focus is on understanding, and providing solid science behind vaccination, including instances where a serious reaction to vaccination has been recorded.

The film sees the fact that parents are afraid, and want to do the best for their child(ren) as being the start of a conversation rather than the end of it. I think that it’s brilliantly put together, and the information is well presented without ever being condescending. Take a look at the trailer and I think you’ll be impressed at the way this documentary is presented – it was a very interesting film to watch and one that’s useful for me to have seen as a midwife-in-training.

Valentino: The Last Emperor

Another documentary, this is very different from Jabbed in that there’s no public health message, instead it’s insight into a hidden world, and a hidden, though iconic man. The buying of my own clothing is such a far removed experience from the realm of fashion designers such as Valentino so it really was interesting to get a glimpse into that world and what it involves, and what it means to the creators. I feel like the audience did get a unique view behind the scenes of seemingly glamourous fashion design world, and into Valentino himself. And yet, it’s also clear that he’s still a very private man and that much remains hidden.

I think my favourite part was watching the friendship between Valentino and his long time business partner and friend Giancarlo Giametti, it’s clear they have such a depth to their relationship and it’s incredibly meaningful, and Giancarlo is much more open about that than Valentino is. I really enjoyed seeing this element being one given importance in the documentary – it’s not just about the dresses.  I enjoyed this film when I wanted something easy watching that I didn’t have to work at, without heavy content and it was perfectly suited to that. I will say that, although interesting, it paled compared to my experience seeing the Jean-Paul Gaultier exhibition in Melbourne recently. The exhibition was truly beyond anything I could have expected and utterly mindblowing, while Valentino in comparison, was merely enjoyable and satisfying.

The Emperor’s New Groove

This movie is one I keep coming back to, it’s a favourite of mine to rewatch when I need something fluffy, entertaining and funny to watch. I love the humour, I love the happy ending, I love the absurdity. I also tend to really enjoy films where one character learns about the meaning of friendship, and this definitely qualifies. I adore Izma as the villain and Kronk as her unlikely side kick who’s really not evil at all. The movie is simply a fun romp about two unlikely people becoming friends – one’s the selfish, vain and arrogant emperor, the other the head of a small village, humble and kind. I like that Kuzco isn’t set up to be evil – just misguided and subsequently redeemable. I love the way that unfolds between Kuzco and Pacha. This movie is especially precious to me as I often find comedy a difficult thing to appreciate, and this film never fails to make me laugh.

Coffee and Cigarettes

I just don’t know what to make of this film. I love the way it’s a series of small vignettes, but I also know it’s meant to be a comedy and I just don’t find it funny. I did like and enjoy the film despite not finding it funny, although at some points the cringe of awkwardness was intense! Actually I think that’s a useful way of summarising this movie as a whole, an exploration of awkwardness between the audience and the characters,  and the characters with each other. It’s a little unrelenting, but as an exploration it’s pretty thorough in covering all the ways awkwardness could possibly surface using these scenarios involving coffee and cigarettes.

My personal favourite segment is Cousins featuring Cate Blanchett – I think this exchange of awkwardness is the most realistic to me, and I love the way Blanchett plays both roles to perfection. There are a number of other famous faces who contribute to this film including Bill Murray, Tom Waits, and Iggy Pop amongst others – all of whom contribute something unique and special to the film. This is not a film that will ever go down in my favourites list, but I am glad I saw it.

Cinderella (1997)

I watched this film upon recommendation of a friend that it was charming and satisfying particularly on the level of being a musical and satisfyingly non-white. She was right – it was a gorgeous movie, charming and sweet, with costumes and sets that were utterly gorgeous! While the cast is broadly non-white, race itself has no emphasis  and I think this stands the movie in good stead. It doesn’t make race invisible – it just makes the expression of less overtly white casting unexceptional – as it should be. Performances from the likes of Whitney Houston, Whoopi Goldberg and Brandy Norwood were a delight to watch, and sincere without simply replicating the original 1957 Rodgers and Hammerstein classic.

That it is a remake of the Rodgers and Hammerstein version of Cinderella alone makes it particularly satisfying to see so much diversity. And really, I expect it’s a 50/50 mix of people who are white and non-white. That’s not really diversity, it’s a depiction of real life in a much more realistic fashion instead of 2-3 white people for every person of colour. For anyone who’s ever watched and enjoyed Ever After, this movie is equally lovely, fluffy and satisfying as a Cinderella story and I recommend watching it at any point you need a unicorn chaser.