Review: Wanted & Wired by Vivien Jackson

A woman with long dark hair side holding a large gun on to the left of the cover, background is fiery orange sunset ARC Review:

Title: Wanted & Wired (Tethered #1)

Authors: Vivien Jackson

Publisher and Year: Sourcebooks Casablanca, 2017

Genre: science fiction, romance, dystopia, paranormal romance

Blurb from Goodreads:

A rip-roarin’ new snarky, sexy sci-fi paranormal romance series with the perfect balance of humor, heat, and heart. Now that Texas has seceded and the world is spiralling into chaos, good guys come in unlikely packages and love sprouts in the most inconvenient places…

Rogue scientist • technologically enhanced • deliciously attractive
Heron Farad should be dead. But technology has made him the man he is today. Now he heads a crew of uniquely skilled outsiders who fight to salvage what’s left of humanity: art, artefacts, books, ideas-sometimes even people. People like Mari Vallejo.

Gun for hire • Texan rebel • always hits her mark
Mari has been lusting after her mysterious handler for months. But when a by-the-book hit goes horribly sideways, she and Heron land on the universal most wanted list. Someone set them up. Desperate and on the run, they must trust each other to survive, while hiding devastating secrets. As their explosive chemistry heats up, it’s the perfect storm…

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

This book came along at a time this year when I needed something fun to read, something romantic, but still something decidedly science fiction. I loved the pacing of the story and fell in love with the characters. While the story was slow to start and clunky in places, there was plenty to keep me going.

I really wanted Heron and Mari to succeed in sorting out what had gone so wrong with their mission. I empathised with Mari’s desire to do the right thing by her father, even though that turned out to be a huge problem. I loved the technology and world-building, I loved Heron’s post-human and enhanced character and I loved the way that was discussed subtly throughout in relation to humanity and morals and choices and so on. I found Heron especially compelling as a character – but that’s not surprising as I have a big soft spot for characters that create found-family. I did love that Mari was included even if she didn’t know about it.

I love that Mari was complicated, she had issues with her history and memory, but also just with coping day-to-day, I appreciated that realism to her character – she’s great at what she does, but not infallible. I love how much she realises that she’s come to rely on Heron. I love the unfolding of their relationship and Mari being confronted with her own biases and the need to reevaluate them. The sexual tension between these two was excellent and I have a soft spot for sex scenes where the author has remembered that one party has extra tech to bring to the equation – I’m all for the misuse of science and technology for better sex. This was excellent in that regard.

Overall this was a really enjoyable book, I’m interested in the story ongoing and am hoping that future books will trend more toward science-fiction romance and less romance driven with a couple per book, I love the urban fantasy feel of this book, it’s clearly science  fiction but it has a lot of the elements that draw me to urban fantasy and I’m solidly hooked.

Review: He, She and It by Marge Piercy

He, She and It - coverARC Review:

Title: He, She and It

Authors: Marge Piercy

Publisher and Year:  Originally published 1991, this edition published by Ebury Digital, 2016.

Genre: science fiction, dystopia, feminist fiction,

 

Blurb from Goodreads:

In the middle of the twenty-first century, life as we know it has changed for all time. Shira Shipman’s marriage has broken up, and her young son has been taken from her by the corporation that runs her zone, so she has returned to Tikva, the Jewish town where she grew up. There, she is welcomed by Malkah, the brilliant grandmother who raised her, and meets an extraordinary man who is not a man at all, but a unique cyborg implanted with intelligence, emotions – and the ability to kill…

From the critically acclaimed author of Woman on the Edge of Time, comes another stunning novel of morality and courage. A Pygmallion tale for the modern age, this classic feminist speculative novel won the Arthur C Clark Award.

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

He, She and It was a revelation to me, I’m so glad I got to read this and am so glad that somehow this book came to me exactly when I needed it. There is as much about this book that is literary as science fiction, to the benefit of the book and the story it tells. It has incredible depth and is written beautifully, with poignancy that I think is rare to find.

Relationships are central to this book, relationships of family, of parent and child, of community, of spousal partnership, of professional collaboration. Although many readers may centre on the romantic relationships portrayed in the book, these make sense only in the context of all the other relationships that are part of the tapestry of this book. They do not exist in a vacuum or in isolation from the rest of the story.

We follow Shira’s point of view as the dominant protagonist, although Yod and Malkah’s point of view features as well. The worldbuilding for this story is deft. We start with a picture of an enclave, such as we might imagine in any future science fiction city, perfectly coifed and artificial, everything manufactured – the suggestion of control and surveillance is everywhere. We are then introduced to the free city Tivkah, resisting the multi-corporations and having enough skill and leverage to hold onto tenuous freedom and the city’s prized democratic community. Upon losing custody of her son, Shira flees the multicorporate enclave she is employed by and returns to Tivkah, her childhood home. She takes up a position with the scientist Avram to assist him in the socialisation of his cyborg creation Yod.

I didn’t fall in love with Shira at first, and in fact it took me a very long time to warm up to her. Instead, I was drawn to Malkah, matriarch and storyteller, scientist and programmer with a formidable intellect. I took a long time to warm up to Yod too, but I think that is by design from Piercy – as Yod’s experience with personhood grows and expands, so to does the reader’s ability to recognise and appreciate Yod’s personhood. We are invited to mirror Shira’s experience in working with Yod and his socialisation, although her qualms are always situated as her own foibles, and not so much larger moral questions for the reader to ponder. Those questions come more from Yod himself, as he reads Mary Shelley’s Frankenstein.

The crux of the book is the creation of Yod, a cyborg. A story that parellels the creation of a golem in the 1800s. Both created to protect, but as weapons with innate violence in their nature. This is something both the golem Joseph and the cyborg Yod struggle with. My take on it is that this is profoundly to do with existing in the world, regardless of being a human person or not. You cannot erase lived experience, you cannot unlearn compassion or empathy readily – even if you did not come to then naturally and were created whole, as with golem Joseph and cyborg Yod.

I keep coming back to the richness of Tivkah as the locale surrounding the story. A community, built on socialism, collaboration, and fierce anarchic independence. Tivkah is a Jewish city, the days and rituals and experience of the inhabitants within centre the normalcy of their daily lives as Jewish people. This is given further depth by the story Malkah tells for Yod about Joseph the golem. When Nili, a cybernetically enhanced woman from once-Israel, now a dead zone joins them for a time in their city and helps them to defend it, further layers to women, surviving, climate change, resistance, feminism, family and purpose are revealed.

The resolution of this book is one I found deeply satisfying, although it wasn’t an ending as such. Instead it felt like a change, where the people whose lives I’d followed for some time were about to embark on a new era of their lives, but the chapter for this part was over and it was time to part. I valued that and it is a  significant part of the poignancy that I observed as part of the book. There is hope and optimism amidst the realism of living in a dystopia. But people live their lives, they do the best they can with what they have, they value the people and ideologies that are important to them. As do we all. Perhaps with less grace than those in the free city of Tivkah.

I had begun to think maybe I had lost the ability to appreciate deep books that you must read slowly, over a several days and sittings. This book is a compelling read, but it needs breaks – time to think between putting it down and picking it up. Life has to be lived in between reading pages, because it is a book that is about the everyday, about living life, the constraints and difficulties we all face – small and large. I learned in my reading of this book, that in depth, more demanding books are not lost to me, merely I must simply find the stories that are stories for  me – and not dwell so much on stories that other people loved and I did not.

He, She and It is profound and I firmly believe one that will yield much more upon rereading. I loved the abiding feminism in this book where there were so many female characters and relationships between women in all kinds of ways. Women performed all kinds of roles, from the familial and maternal, to great scientific works, piracy, and military defence. The breadth of capability, of choice and recognition of both was startling and wonderful to me. And this is why I don’t think that this is a book of romance, despite that it is one of the plot arcs that is used to contextualise so much of the story. It is like having a spine in the human body – our spine does not define us, but it is critical and unique. Complexities surrounding relationships between parent and child, family in general are also similarly critical to the telling of this story – they are not less important than romantic relationships.

I loved this book, I count it among those I loved best in my reading this year. Although first published in 1991, He, She and It tells as compelling and profound a story in 2016 as it did when it was first published. I cannot recommend this book highly enough to anyone who loves a really good science fiction novel. Unlike many dystopian stories, this book is not at all grim, there is no constant sense of doom. Instead, this book is about life, living and problem-solving as well as possible in a future where technology is rampant and equal parts the solution and the problem to the climate change-ravaged future portrayed.

Snapshot 2016: Interview with Marianne de Pierres

Snaphot Logo 2016

Marianne de Pierres remains one of the most versatile authors writing in the Australian scene, she’s not afraid to tackle any kind of story that takes hold of her and she’s always up for trying something new. Plus, she’s also great fun to have around! This interview is part of Snapshot 2016 and is reposted from the Australian SF Snapshot Project. #Snapshot2016.


Marianne de Pierres Comic Con 2016 author photoMarianne de Pierres received the 2014 Curtin University Distinguished Australian Alumni Award for significant and valuable contributions to society. This award was granted in recognition of her feminist speculative fiction. She is the author of the award-winning Sentients of Orion and Peacemaker series. Her young adult Night Creatures trilogy was listed as a Recommended Read by both the Stella Prize and Victoria Premier’s Literary Award panels. Under the pseudonym Marianne Delacourt, she has also written a series of crime novels for which she has received a Davitt Award. She is a writing educator and mentor, a proponent of Transmedia, and has been involved in several successful creative partnerships.

You’re working on feminist science fiction for your PhD project, what is the most surprising thing you’ve learned in your research and reading so far?

The short answer is “everything”. It’s been a wonderful and soaring learning curve for me: from Donna Haraway’s cyber-feminsim through to the post-feminist theorists. More specifically though, my topic examines how certain female speculative fiction authors imagine future feminism in their work. The most surprising discovery is the conclusion that I’m beginning to draw from an analysis of three particular texts. I’m using vN by Madeline Ashby, God’s War by Kameron Hurley, and Zoo City by Lauren Beukes as my case studies. Though set in vastly different worlds and written in diverse styles, there are some strong commonalities in their subtexts. But you’ll have to read my exegesis to find out what those are! No spoilers yet.

Sharp Shooter - coverThe recent re-release of ‘Sharp Shooter’ internationally is so exciting and I’m so looking forward to the release of the fourth novel in the series! Can you give us a hint of what we can expect from Tara’s next adventure?

Thanks Ju! I am also really thrilled that Twelfth Planet Press have picked up the Tara Sharp series for their Deadlines imprint. The books are being re-released over the course of this year with new covers, and each one has been revised, and in some instances new material has been added. Cathy Larsen is producing some splendid new artwork. Book 4 will be out around November and is titled Sharp Edge. Things are ‘hotting up’ between Tara and Nick Tozzi and she’s not sure she can handle it, so (in usual fashion) she plunges into her latest adventure to avoid having to make decisions. This means helping her ex-fiancée, Garth, with a money laundering problem and disentangling herself from the bikie gang to whom she owes a favour. Cass and she also move out of Lilac Street. Everyone’s lives are evolving.

One of your strengths as an author has been your ability to work across genres, from YA and urban fantasy to science fiction, crime and dystopia. Do you have a favourite amongst the genres you’ve written in and are there any you’d still like to try out?

Funny you should mention that! Once my PhD novel is complete, I plan to work on a biography about a man named Colonel Herman Thorn, who lived in early 19th Century New York and Paris. I’m so obsessed with this story that for the first time in my life, I feel compelled to write non-fiction, and I refuse to be daunted by the fact that it’s a new genre for me.

In terms of my previous fictions… as long as it’s speculative, I love it! No favourites there. 🙂

What Australian work have you loved recently?

Pamela Hart’s (aka Freeman) historical novels are some of the best world building I’ve read. Pamela’s a terrific writer in all genres, but I agree with her husband (author Stephen Hart) who says she’s really found her niche here.

Which author (living or dead) would you most like to sit next to on a long plane trip and why?

Octavia Butler. I’d be interested in pretty much anything she had to do or say.

Snapshot 2016: Interview with Ambelin Kwaymullina

Snaphot Logo 2016

Ambelin Kwaymullina writes the kind of books you fall in love with, at least *I* did and so it was a particular privilege to interview her. This interview is part of Snapshot 2016 and has been reposted from the Australian SF Snapshot Project. #Snapshot2016.


Ambelin Kwaymullina author photoAmbelin Kwaymullina is an Aboriginal writer, illustrator and law academic who comes from the Palyku people of the Pilbara region of Western Australia. She is the author of the dystopian series The Tribe for young adults, and has also written and illustrated a number of award-winning picture books. Find out more about Ambelin at her website: www.ambelin-kwaymullina.com.au.

In one of your interviews for #LoveOzLit, you refer to a need to trust the story and to not get in its way. I also notice that much of your work features the element of transformation and I wondered if that was deliberate or if it relates to your trusting the story you’re working on?

In my culture, everything lives, including stories. That means to tell a story is a profound responsibility, and part of that responsibility is allowing the story to honour its own truths. Stories, like all life, are capable of unexpected transformations. Another part of that responsibility is to understand that not all stories are yours to tell – we all occupy a particular position in this world and that position informs our understanding but also places limits upon it, especially when it comes to the stories of cultures and identities not our own.

Are there any speculative projects (writing, art, appearances) that you’re working on presently that you can share any details with us?

I’m working on a new novel (YA, spec fic). It’s not part of The Tribe series – but like The Tribe series, it’s a work of Indigenous Futurisms, which is a form of storytelling where Indigenous creators use the spec fic genre to challenge colonialism and imagine Indigenous futures.

The Tribe Series - covers

In recent years you’ve written for The Wheeler Centre about Indigenous storytellers, power and privilege, about Aboriginal storytelling and young people, and about the need for diverse stories in Australia. Have you noticed any changes in the number or nature of Indigenous storytellers and stories being produced and distributed to wider audiences since then?

Nope.

Indigenous publishers (like Magabala Books) continue to do amazing work, and some small presses (like Fremantle Press and University of Queensland Press) also publish a significant list of Indigenous voices. But there’s been no fundamental shift in the literary industry more generally, either in relation to Indigenous authors or other diverse voices. Here’s the thing: as I’ve said before, a lack of diversity in literature is not a ‘diversity problem’. It’s a privilege problem, in that it is being caused by structures, behaviours and attitudes that consistently privilege one set of voices over another. That means that change is required at an individual and systemic level to address privilege before diverse voices will ever have a real chance of being heard. And this change needs to encompass the entire industry, not just publishers (as recent conversations in the US over the role of reviewers reminds us).

Part of this change involves being informed. I blogged recently about some things editors should know when editing books with Indigenous content, but much of what I said applies to the literary industry more generally.

What Australian work have you loved recently?
Cleverman!

Which author (living or dead) would you most like to sit next to on a long plane trip and why?
My friend from across the sea, fellow speculative fiction writer Zetta Elliott. We have only ever met in cyber-space and it would be so nice to connect in person.

Snapshot 2016: Interview with Sean Williams

Snaphot Logo 2016

This is the first of the interviews I conducted for Snapshot 2016 with the always lovely Sean Williams, reposted from the original over at the Australian SF Snapshot Project. #Snapshot2016.


Sean Williams - Photo by James BraundSean Williams is an award-winning, #1 New York Times-bestselling author of over forty novels and one hundred stories, including some set in the Star Wars and Doctor Who universes, and some written with Garth Nix. He lives up the road from the Australia’s finest chocolate factory with his family and a pet plastic fish.

Although your Twinmaker series concluded with the release of ‘Fall/Hollowgirl’ last year, it looks like this universe still has a hold on you. Is there more to come from within the Twinmaker universe?

The Twinmaker universe, and the idea of the matter transmitter, definitely still has a tight grip on me. Apart from the fantasy landscape of The Stone Mage and the Sea, which I’ve returned to more than a dozen times, this is the world I’ve most visited, with four novels and over forty short stories so far, plus a PhD thesis to prove that I’m taking it all very seriously.:) I have a couple of stories yet to come, and there are still ideas kicking around. One is to write a non-fiction book on the rise and fall and rise of the teleporter. If I could drop everything in order to do that, I would. Then I’d be done with it. Maybe.

Because, honestly, this has been obsession for more years than I care to count. The first “serious” story I ever wrote, i.e. thinking that I might actually have a shot at being a writer, was a matter transmitter story. That was in 1989. Going back even further to 1978, I wrote a mammoth epic, or so it seemed when I was eleven years old, and it too featured a matter transmitter. If anyone’s looking for recurring tropes in my work, this would be the one that stands out. I would justify this obsession by saying that it’s the ultimate science fiction trope, the one that allows an author to explore every imaginable idea, except for travel back in time (and hell, Michael Crichton used it to do even that). But really it’s because I think it’s cool … and the ideas it generates just keep on coming.

Fall - Twinmaker - cover

You’re well known for writing science fiction and dystopia, and I’m a particular fan of your fantasy work. Do you think you’ll continue to work across genres?

Most likely. I’ve always liked moving across genres and styles. It keeps me from getting stale–or so I tell myself. Maybe it’s really just to keep me from getting bored. One thing that’s stopped me from writing much horror lately is the feeling that, if I’ve played with a trope once, it’s time to move on. Of course, given the answer to the question above, some tropes comprehensively break that rule. I’ve also come back to some styles or worlds many times over, but only when I feel like I have something more to say about or with them.

Forthcoming projects include my first ever published 1st-person novel, my first mainstream novel, and my first medieval fantasy (co-written with Garth Nix). At the same time, I have a space opera novel kicking around, and I’m actively researching another book set in the world of the Books of the Change. Plus the non-fiction book on matter transmitters. So there’s lots of old and new stuff to keep me interested for a while yet.

In your blog you mention two YA novels that you’re writing. What is it that draws you to YA?

The first of the two YA novels is In My Mind, a first-person novel set in the present day that uses speculative elements to explore social anxiety and chronic pain; that’s sold in the US, and I’m editing it at the moment. The second is Impossible Music, a mainstream novel about deafness and music. It earned an Australia Council Grant (for which I’m incredibly grateful, times being tough) and is still in the research phase. Both are very personal novels, dealing with things that are very close to me, or things I have suffered myself (particularly In My Mind, which was difficult to write as a result). They’re topics I find easier to write about in YA because they speak to the age I was when I discovered/endured them in real life. More or less. These aren’t memoirs, but they do come from very intimate spaces that I don’t normally foreground in my fiction.

In general, I find a freshness, a vividness, a rawness, and an immediacy to YA fiction that is very appealing to me. As genre writer, and reader, I am drawn to stories that pull few punches in terms of plotting and characterisation. Themes, subtext and style are equally important, but I don’t want them foregrounded to the point where they seem to become the point, if that makes sense. Finding the right balance between the many facets of storytelling is one of the most challenging things about being a writer–and a reader as well. There’s nothing more rewarding than finally getting it right.

What Australian work have you loved recently?

Justine Larbalestier’s My Sister Rosa, Jaclyn Moriarty’s The Colours of Madeleine series, Liane Moriarty’s The Husband’s Secret, Deb Biancotti’s Waking in Winter, Anna Smaill’sThe Chimes, Zeroes by the fabulous Westerfeld/Lanagan/Biancotti trio. I’m also going on a bit of an Elizabeth Knox binge lately; her Dreamhunter duet really hit the spot. (I’m conflating a couple of New Zealanders with the Australians here, but I figure it’s okay to be inclusive. Hopefully!)

Which author (living or dead) would you most like to sit next to on a long plane trip and why?

I wish I’d met Robert Anton Wilson when he was alive, so I guess that’s my answer. It would be fair to say that his Schroedinger’s Cat books literally changed my life (more than Illuminatus! although he’s more famous for them). I was a teenager thinking thoughts that didn’t really fit into the box I was living in, and here was the guy writing about exactly those things, but with a sense of humour and wonder sorely lacking in the other pundits I’d stumbled across. He had a joyous knack of telling stories that underpinned everything he wrote. If I had the opportunity to hear some of those stories in person, I would take it in a flash.

Review: All the Birds in the Sky by Charlie Jane Anders

All the Birds in the Sky - coverSword and Laser Bookclub: March

Title: All the Birds in the Sky

Author: Charlie Jane Anders

Publisher: Tor Books, 2016

Genre: Young adult, dystopia, urban fantasy, fantasy

 

Blurb from Goodreads:

Childhood friends Patricia Delfine and Laurence Armstead didn’t expect to see each other again, after parting ways under mysterious circumstances during high school. After all, the development of magical powers and the invention of a two-second time machine could hardly fail to alarm one’s peers and families.

But now they’re both adults, living in the hipster mecca San Francisco, and the planet is falling apart around them. Laurence is an engineering genius who’s working with a group that aims to avert catastrophic breakdown through technological intervention into the changing global climate. Patricia is a graduate of Eltisley Maze, the hidden academy for the world’s magically gifted, and works with a small band of other magicians to secretly repair the world’s ever-growing ailments. Little do they realize that something bigger than either of them, something begun years ago in their youth, is determined to bring them together–to either save the world, or plunge it into a new dark ages.

A deeply magical, darkly funny examination of life, love, and the apocalypse.

 

My Review:

I really enjoyed this book, I enjoyed the easy-reading start that matched up with the age and experience of the children involved and how gradually as they became older and more complex, so did the writing and the story. I’m also a fan of near future stuff that is hopeful as well as cautionary and I thought Anders balanced this well. Plus, it was great to read a story that looked at the intersection of magic and science as necessary for fixing global catastrophe and also at the ideas of balance, giving too much, taking too much, and giving up too soon.

I felt like all the key elements of the story were also reflected in the relationship between Patricia and Laurence, up to and including their imperfect friendship, and that imperfection and their ability to fail one another made them seem particularly real as protagonists to me. Also, I really appreciated the resolution of the book where AI Peregrine (one of my favourite parts of the book) was joined with the tree – how two all encompassing entities were still after connection in the end. I love that kind of message.

I adored the quirky descriptions of San Francisco, I was reminded why it’s a place I’d love to visit someday! Plus, across the book there were so many characters and it was nice to just enjoy that not all of them were white, or middle class, and straight. It was pretty subtle, as it should be – especially where queerness or poverty or whiteness aren’t critical to the story. Most reviews for this book struggle to put it into words, and I have to agree with that – it’s enjoyable and whimsical, playful and serious with genuine depth. But there were still some loose story ends that I wasn’t really satisfied with, plus there seemed to be too little information about Patricia and Laurances respective specialised schooling once they parted ways – given the way the story went I’d have thought there would be some time spent on that. Overall, this was a satisfying stand alone read, it’s wonderfully speculative without being overladen or heavy handed and would suit those who enjoy stand alone novels, modern fantasy with no medieval anything in sight, and those who aren’t necessarily particular fans of speculative fiction.

AWW16: Nightsiders by Sue Isle (Twelve Planets #1)

Australian Women Writers Challenge 2016: Book #3

Australian Women Writers Challenge 2016 BadgeTitle: Nightsiders (Twelve Planets #1)

Author: Sue Isle

Publisher and Year: Twelfth Planet Press, 2011

Genre: science fiction, dystopia, young adult

 

Nightsiders - coverBlurb from Goodreads:

In a future world of extreme climate change, Perth, Western Australia’s capital city, has been abandoned. Most people were evacuated to the East by the late ’30s and organised infrastructure and services have gone.

A few thousand obstinate and independent souls cling to the city and to the southern towns. Living mostly by night to endure the fierce temperatures, they are creating a new culture in defiance of official expectations. A teenage girl stolen from her family as a child; a troupe of street actors who affect their new culture with memories of the old; a boy born into the wrong body; and a teacher who is pushed into the role of guide tell the story of The Nightside.

 

My review:

This review is presented as part of my contribution to the Australian Women Writers Challenge 2016, and as part of the Journey Through the Twelve Planets Reading Challenge


 

This book is the first of the Twelve Planets, single author collections produced by Twelfth Planet Press and is a strong start to such a unique project. This collection by Sue Isle features four interwoven stories, each complete in its own way and each contributing to a larger sense of a dystopian future Australia. This world is painted so vividly and I join the chorus of others who hope that the author may venture back into this universe with a novel at some stage.

The Painted Girl

What I most appreciated about this story is that we’re introduced to the world of Nightside through the eyes of Kyra who is both young and confused. In some ways her understanding of the world around her is solid and broad, but in other ways there are many unknowns and her naivety shows. I appreciated that Kyra’s understanding of things centred around rules – but that where you were and who you were engaging with meant the rules may be different. I also liked that it is kindness, that Kyra reached out to Alicia that motivated the girl from the Drainers to help her in turn when Nerina turned against her.

This story is a subtle introduction to post apocalyptic Perth, called the Nightside because only the Drainers walk the day time any longer. The story that Isle has written presents both harsh realities of a broken-down society post apocalypse but also connection and hope, how people come together and work together too. Of particular note is the idea of choice, for Kyra, who has had so little choice in her life. The notion of choice is what lingers after this story has finished. The Painted Girl is a fantastic introduction to this world and its stories.

Nation of the Night

This was one of my favourite stories of the collection. Ash is such an interesting character and following his journey to pursue self-hood was powerful. In the present day, pursuit of identity presentation and representation, aspects of gender and the sexed body are fraught and difficult to achieve. In this story Isle explores what it may look like for a transgendered person in a post-apocalyptic society, where medical care is much more scarce and choices seem both more and less limited.

What really stayed with me was the difference between the present I am reading from, and the present in which Ash finds himself. Although many of the difficulties that exist outside the book in the present day, still exist in some form for Ash, the simple acceptance of him by Prof. Daniel, the doctor and those he meets in Melbourne. The question is only around his capacity to make adult decisions about himself, his body and his life – not interrogating the truth of his experience of self and gender. Such a sharp commentary on the state of things here in my present as a reader.

My only criticism with this story was that although the journey to Melbourne and home again was described as difficult that didn’t really seem to be the case. Instead, it was that Ash was an outsider in Melbourne, even as a temporary visitor that seemed more difficult to navigate – the lack of accommodation, lack of familiarity with the city and it’s particular rules. Additionally, even the constraints on the doctor in doing the favour for Ash in performing the surgery, what was possible and what his recovery would look like.

I appreciated the New Zealand family and their point of view that Ash met. Their experience and point of view provided more context as to the Eastern States and how the evacuation from the West had affected them. How, the city was trying to keep people out because of overcrowding and limited resources, how some people were lesser than others as immigrants and what the effect of this was. How, Nightside might seem like a better life to some if you found you couldn’t keep things together in Melbourne. That juxtaposition of difficulty and nod to the idea of the grass being greener on the other side was well done I thought. I found myself wanting to know what happened to the family as Ash headed home back to Perth, ending the story.

Paper Dragons

One of the themes that I thought this story highlighted, was the nature of interdependency, connection and reliance on others for shared wellbeing. The Elders rely on others to help support them, and they in turn provide support, care and knowledge. I am curious as to how Tom’s play troupe came together and why it holds such importance in their small community – there seems like there’s a story there. Not that I dispute the importance of story and community in a society like Nightside, just it seems interesting that it is prominent and held with such respect alongside survival activities – as though it is of equal importance. The why of that is interesting to me and I wish that had been explored more.

Although it’s suggested that the pages that Shani finds of a screenplay could stir up more trouble than they are worth (is the title a reflection of this I wonder?), the trouble itself doesn’t really manifest. Although the Elders do leave their houses and come to see the play – but I’m never sure what actually makes this play different from the rest put on by Tom’s troupe – why is it that the youngsters putting on the play is what shifts the balance and awakens the Elders somewhat?

I feel like this is a story of questions, that this is a story that provokes but doesn’t satisfy and that is perhaps one of the points. So much is unknown, by the youngsters, so much is forgotten or painful to the Elders, what they create together is the in-between. This is an intriguing story and I loved that we got to see Ash again, back from Melbourne and happier in himself and also accepted by the others.

 The Schoolteacher’s Tale

My other stand out favourite from the collection. I loved the way that we started the book with a confused young girl, who introduced the reader to Nightside, and that the collection ends with the story of Miss Wakeling an old woman adapting for a the future and being confronted with the need for change. I love that Shani and Itch are getting married, and have sought out the Aboriginal Elders out on the fringe of the Nightside, specifically because they see the importance of change and growing together, sharing knowledge and moving forward. There was so much hope in this story, and so much suggestion of coming together in a way that hadn’t happened before. I also love that the notion of knowledge and school and what education is useful in a dystopian future? This was such a great ending to the collection and also seemed like a beginning. I would love a novel from Miss Wakeling’s point of view about her journey out to the sea.

Overall 

There was so much to enjoy about these stories, diverse characters and situations, points of view, parallels to the present day that were nicely pointed. I loved that both Melbourne and Perth were so recognisable to me! I love that the apocalypse has already prompted adaptive changes from the inhabitants of Nightside – the children see better in the dark for example. There are so many women here and they are simply capable and interesting in their own way – even Nerina who is cast as perhaps the only unlikable character in the book. I almost didn’t notice this because it just seemed so normal and comfortable to read – and then I remembered how rare that is. Also, I love that this is not a gritty story of horror-survival but one of massive change, but still with community at its heart. I just want to reiterate how  much I’d love a novel from this world, it’s so interesting and I want to spend more time here.

Review: Illuminae by Amie Kaufman and Jay Kristoff

Australian Women Writers Challenge 2016 Badge

Australian Women Writers Challenge 2016: Book #2

Escape YA Bookclub Profile ImageEscape Club Bookclub: January

Title: Illuminae (The Illuminae Files #1)

Author: Amie Kaufman and Jay Kristoff

Publisher: Knopf Books for Young Readers, 2016

Genre: Young adult, dystopia, science fiction

Blurb from Goodreads:

The year is 2575, and two rival megacorporations are at war over a planet that’s little more than an ice-covered speck at the edge of the universe. Too bad nobody thought to warn the people living on it. With enemy fire raining down on them, Kady and Ezra—who are barely even talking to each other—are forced to fight their way onto an evacuating fleet, with an enemy warship in hot pursuit.

But their problems are just getting started. A deadly plague has broken out and is mutating, with terrifying results; the fleet’s AI, which should be protecting them, may actually be their enemy; and nobody in charge will say what’s really going on. As Kady hacks into a tangled web of data to find the truth, it’s clear only one person can help her bring it all to light: the ex-boyfriend she swore she’d never speak to again.

Told through a fascinating dossier of hacked documents—including emails, schematics, military files, IMs, medical reports, interviews, and more—Illuminae is the first book in a heart-stopping, high-octane trilogy about lives interrupted, the price of truth, and the courage of everyday heroes.

Illuminae - coverMy Review:

What an interesting format this book comes in! I was engaged by the confidential file release style of storytelling, it was interesting and let the story unfold in an unusual way. I will say that it is not very accessible, the art is gorgeous but hard to appreciate if you’re not great at holding books, or reading it on a phone screen (as I was). There were sections I skipped because I couldn’t zoom in to read some of the artistic text. However, I enjoyed the story so much that it didn’t do much to take away from the experience for me. I think this is perhaps something that the publisher would do well to consider for the future books – please keep the art, but please make it more accessible.

I really liked Kady as a protagonist, she was an interesting mix of typical teenage angst mixed with the trauma of having her whole life fall apart, both when the illegal colony was attacked and at several points while on the ship. This is an intense read – the suspense of the story is gripping and at times I found I needed to either put it down for a bit or keep reading because of the story intensity. I was so invested in finding out what happened, what was happening as the story unfolded. I thought it raised some interesting notions about AI, about hacking and government, transparency, authority and ethics in crisis situations.

I didn’t much care for Kady’s boyfriend, at no point did he come across as anything other than a jock that was largely incapable of an original thought, if not for Kady. However, that said the way in which the romance was portrayed, the having broken apart but finding that the circumstance and familiarity amidst horror drew them back together made sense to me. And, it also makes sense to me, that the crisis being all it was drew them even closer and more attached as time went on – especially given they were separated by being on different ships and so couldn’t physically get to one another (or grate on one another) in person.

The ethics of the story are complex (and spoilery).

— (spoilers) —

While Kady has a strong sense of the moral right and good thing to do, I think that the story provides good context for the other points of view. Is it the fact that the AI destroyed a ship in accordance with its programming to preserve the best chance of survival for the fleet based on its own logical deduction without human input, or the destruction of the ship itself that is the crime? Is it both? I appreciated that there was no obvious easy answer and that while Kady didn’t grapple with this herself so much, other people did and their points of view are presented as part of the documentation that tells the story.

— (end spoilers) —

Interestingly, the worldbuilding for this book is minimal – which works for the story. There is an illegal colony, there are ships in space – it’s a big area of space, and there’s a station the ships head toward the long way around because of damage to technology. We know little more about the greater context of the society (societies?) on a larger scale, how government and business and politics work, what races and factions are involved. It’s largely a mystery and while I wondered about it while reading, it’s not relevant to the story. Only what is relevant to the story and immediate situation is shared and it works to emphasise the insular nature of the tiny fleet clinging to survival.

The story could seem implausible, outlandish. However, I was reminded both of ‘Alien’ and also ‘Gravity’ while I was reading – and those descriptions could easily be applied to both of those media. What is also similar is the quality of the storytelling and how compelling it is – my suspension of disbelief was thoroughly engaged and I was absolutely caught up in the action, heart in mouth right to the end. And then I felt like I’d lost a friend because it was just ended and there was no more.

The book draws on tropes, the chosen one succeeding against the odds is probably the most gratuitous one. However, overall I think it executes the use of them reasonably well, and pink haired teenagers are hardly an unusual concept – it just seemed to be part of who Kady was and the authors successfully brought her to life for me, where perhaps in other situations the make up of her character might have annoyed or disappointed me more. The character relationships are presented as heteronormative, people as cisgendered and no one appeared to have any kind of disability. Similarly, I don’t recall any discussion of race and so the default may be assumed as ‘white’ given nothing is done to subvert or draw attention to this fact. Having noted these things and that I hope future books address these points. I also hope we get to see more of Kady in the books to come – I’ll be avidly looking forward to more in this series.

AWW15: The Foretelling of Georgie Spider by Ambelin Kwaymullina

The Foretelling of Georgie Spider - coverAustralian Women Writers Challenge: Book #10

Title: The Foretelling of Georgie Spider (The Tribe #3)

Author: Ambelin Kwaymullina

Publisher and Year: Walker Books, 2015

Genre: urban fantasy, mythology, science fiction, dystopia, eco-dystopia, post-apocolyptic, young adult

 

Blurb from Goodreads:

A storm was stretching out across futures to swallow everything in nothing, and it was growing larger, which meant it was getting nearer… Georgie Spider has foretold the end of the world, and the only one who can stop it is Ashala Wolf. But Georgie has also foreseen Ashala’s death. As the world shifts around the Tribe, Ashala fights to protect those she loves from old enemies and new threats. And Georgie fights to save Ashala. Georgie Spider can see the future. But can she change it?

 

My review:

I went straight onto the third book from reading the second and I’m so glad I was able to do this because I don’t know how I’d have waited  for the stunning conclusion to this series! Wow. I loved this book, I loved this series, I hope that it is being read and loved by so many people across Australia and the world because it’s well deserved. I have fallen in love with Ambelin Kwaymullina’s writing style – I don’t think I’ve had a writer crush develop this quickly since I came late to Juliet Marillier’s work! And that’s a reasonable comparison to make in terms of the quality of writing, how beautiful the prose is and how much it draws you deeply into the story, allows you to feel like you really know the characters, almost like you’re in the story yourself. The worldbuilding in this series is also astounding, I can picture this post-apocalyptic world, the cities and the society and the Firstwood, and the way this comes to life in my imagination is absolutely a testament to Kwaymullina’s skill.

And the story! Oh the story! I loved Georgie in the first book, and I’m so glad she’s got her own book and she gets to be a hero in her own way! I love the way this story was put together, both happening in the present, and happening in the past – this really emphasises Georgie’s connection to her ability and how time is a bit fuzzy for her. I love the way that she focuses on what she considers important, but also discovers more about herself. I loved getting to know Georgie, and through her, also Daniel. This book is not as simple as the premise simply to save Ashala  Wolf, it’s about an idea, about change, about the future and about making a difference. Everything comes together in such an interesting way, it’s less twisty than book 2, but the story has you absolutely in its grasp from the first page and you just have to see how it all comes together, how the story concludes.

Stories of The Tribe talk of a post apocalyptic world in flux, a world where although society has embraced many positive changes there still remains inequality, greed, power mongering and malice. What an interesting way Kwaymullina has explored the potential growths and changes in our society in this fictional nearish future book. This book and this series will keep me thinking and questioning for a long time to come. It’s deep and it digs in, the book and this series have something important to say for all who read and I hope they’re left thinking, questioning, looking deeper as I have been.

I hope there are many more awesome books from Ambelin Kwaymullina, I want to read them all, a hundred times over. I’ll be revisiting this series for sure, and I’m absolutely certain I’ll see and learn new things with a second and any subsequent readings.

 

AWW15: The Disappearance of Ember Crow by Ambelin Kwaymullina

The Disappearance of Ember Crow - coverAustralian Women Writers Challenge: Book #9

Title: The Disappearance of Ember Crow (The Tribe #2)

Author: Ambelin Kwaymullina

Publisher and Year: Walker Books, 2013

Genre: urban fantasy, mythology, science fiction, dystopia, eco-dystopia, post-apocolyptic, young adult

 

Blurb from Goodreads:

“However this ends, you’re probably going to find out some things about me, and they’re not nice things. But, Ash, even after you know, do you think you could remember the good? And whatever you end up discovering – try to think of me kindly. If you can.”

Ember Crow is missing. To find her friend, Ashala Wolf must control her increasingly erratic and dangerous Sleepwalking ability and leave the Firstwood. But Ashala doesn’t realise that Ember is harbouring terrible secrets and is trying to shield the Tribe and all Illegals from a devastating new threat – her own past.

 

My review:

Given how much I loved the first book in this series The Interrogation of Ashala Wolf, it’s ridiculous how long it took me to get my hands on the next books in the series! And I’m so very glad I did – this is a brilliant follow up to the first book, I am so in love with this series, with this world, with Kwaymullina’s writing. Wow. Australian speculative fiction doesn’t get much better than this honestly. And I say speculative fiction because this series crosses genres, it’s a bit of several things – enough a little of several things to lay some claim to them, it does so beautifully.

This book picks up not long after the events in the first book, Ashala is still trying to come to terms with things, especially that her Sleepwalking ability isn’t exactly working right. However, with Ember missing needs must and she returns to her sense of self and goes looking. I can’t say much about this book and the story without spoiling things, only that this book takes the story in an unexpected direction, delightfully twisty and I didn’t see any of it coming! We do get more of a glimpse of how the present world of the books came to be, the philosophy and the idea of the Balance as universal governing principle.  I loved that we got to learn more about who Ember is as a person and understand her connection to the Tribe, to the world at large and just how much a role her story plays in the overarching story across the books.

I love that this book is also a story about the struggle for political change, the struggle to make things better, the struggle for equality that parallels so many conversations we’re having now in our real day-to-day lives. Kwaymullina highlights astutely and with insight the conversation about Othering and society, what it means, what happens and suggests that everyone is part of the Balance – abilities or not, but also, this mirrors the idea that either we all have human rights, or we don’t… there’s no actual in-between that makes any sense.

 

Re-Review: Nirvana by J.R. Stewart

What is a re-review? Well, since I reviewed this book the author has revised the work and invited me to reread the novel. I accepted and since my experience of reading was so different I’m reviewing it anew. This review replaces the previous one, but I have left it published to show the difference in reading experience.

Nirvana coverTitle: Nirvana (Nirvana #1)

Author: J.R. Stewart

Publisher and Year: Blue Moon Publishers, 2015

Genre: YA, dystopian science fiction

 

Blurb from Goodreads:

When the real world is emptied of all that you love, how can you keep yourself from dependence on the virtual?

Animal activist and punk rock star Larissa Kenders lives in a dystopian world where the real and the virtual intermingle. After the disappearance of her soulmate, Andrew, Kenders finds solace by escaping to Nirvana, a virtual world controlled by Hexagon. In Nirvana, anyone’s deepest desires may be realized – even visits with Andrew.

Although Kenders knows that this version of Andrew is virtual, when he asks for her assistance revealing Hexagon’s dark secret, she cannot help but comply. Soon after, Kenders and her closest allies find themselves in a battle with Hexagon, the very institution they have been taught to trust. After uncovering much more than she expected, Kenders’ biggest challenge is determining what is real – and what is virtual.

Nirvana is a fast-paced, page-turning young adult novel combining elements of science fiction, mystery, and romance. Part of a trilogy, this book introduces readers to a young woman who refuses to give up on the man she loves, even if it means taking on an entire government to do so.

 

My review: 

An eARC of this book was provided by the publisher via Netgalley in exchange for an honest review. 

What a difference this revision makes to the experience of reading this book! It’s not like a whole new story, but the story that was first presented is executed much better, is more confident, more compelling and many of the confusing elements have been addressed.

Further, where previously I found Kenders to be lacking and one-dimensional as a protagonist, this revision sees her much more fleshed out and a much more interesting protagonist and one I enjoyed reading about much more. Her own history, interests, plans, thoughts and feelings are much more in evidence – she exists for herself now and not presented through the eyes of (male) others. I love that the reader gets to experience her band and her politics more thoroughly – it sets up her reasons for doing things so much better than before and I believe in her desire to create change, to make things better, and to find the truth.

Her relationship with Andrew remains as sweet as before, but is much better fleshed out now. Their connection seems more solid and I can see the life they’ve built together much better. I also think that the way Andrew communicates with Kenders through Nirvana is much more realistic and it furthers the plot much better than before. I love that Prof de Mario is a woman and I hope in future books we get to know her better. H

Also, I love the revision to Serge’s character as previously I disliked him, his protective streak coming across as wholly too creepy with his desire for a romantic relationship with Kenders. That romantic tension remains but now it has a deeper ring of authenticity and avoids being creepy. This is such a relief to me as a reader as creepy relationship dynamics are off-putting to me as a reader, particularly in YA novels, and are also surprisingly prevalent. I’m much happier when a book explores problematic dynamics, but also shows them to be problematic, complex and even better if they also show better, healthier dynamics as well.

Once again the plot of this book really drew me in, the near-ish future, the dystopia and the devastation of the natural world. The corporate secrecy, profiteering at the expense of people and society, and obscene control is very well written, and when you add the potential that technology such as virtual reality holds, with a corporate society that monitors and maintains constant surveillance of their population, true terror blooms. This is all technology and corporate tactics in use *now*, the only futurism in the book is extrapolating and imagining that to a likely outcome. I could see so much of present society in this – and could imagine the future as this book painted it, it’s grim indeed. However, where there is oppression there is also resistance and that is the ultimate message of the book and it sets up the story for future books really well.

I’m not usually one to reread books that I’m not in love with wholeheartedly however, I’m so glad I reread and re-reviewed this book because it went from a book I liked, but wasn’t all that well executed to a much tighter, better story that I really enjoyed so much more and want to recommend more.

 

Review: Nirvana by J.R. Stewart

Nirvana coverTitle: Nirvana (Nirvana #1)

Author: J.R. Stewart

Publisher and Year: Blue Moon Publishers, 2015

Genre: YA, dystopian science fiction

 

Blurb from Goodreads:

When the real world is emptied of all that you love, how can you keep yourself from dependence on the virtual?

Animal activist and punk rock star Larissa Kenders lives in a dystopian world where the real and the virtual intermingle. After the disappearance of her soulmate, Andrew, Kenders finds solace by escaping to Nirvana, a virtual world controlled by Hexagon. In Nirvana, anyone’s deepest desires may be realized – even visits with Andrew.

Although Kenders knows that this version of Andrew is virtual, when he asks for her assistance revealing Hexagon’s dark secret, she cannot help but comply. Soon after, Kenders and her closest allies find themselves in a battle with Hexagon, the very institution they have been taught to trust. After uncovering much more than she expected, Kenders’ biggest challenge is determining what is real – and what is virtual.

Nirvana is a fast-paced, page-turning young adult novel combining elements of science fiction, mystery, and romance. Part of a trilogy, this book introduces readers to a young woman who refuses to give up on the man she loves, even if it means taking on an entire government to do so.

My review: 

I loved the sound of this book, and I love the cover art. It’s gorgeous. I also really love the premise and synopsis – this is a great example of a book that captures the interest of the idle browser.

I liked the book and enjoyed reading it, the unique dystopian view is compelling and interesting, I liked the world building and would enjoy reading more in this world. Stewart has done an excellent job presenting a possible future governed by corporate interests over civil governance and environmental disaster. I thought that it was a little confused as to the fact that the ‘Enemy’ and the war was a propaganda campaign, but once that became clear I stopped wondering why the story was one-sided and why I hadn’t seen any interaction with the so-called enemy yet.

The narrative about the corporate secrecy, control, and profiteering is what worked best with this book, this element of the plot worked brilliantly. Unfortunately, it’s hard to connect with Kenders as a protagonist because despite her being the first person narrator of the story, she remains largely presented only through the eyes of the other male characters. From her dead husband, to the Corporal, her long time best friend Serge.

What affects connection with Kenders the most is that her crushing grief leaves her one dimensional – everything is about Andrew and it becomes much more his story, despite his absence than Kenders’. I also didn’t like the creepy control interaction going on with Serge trying to ‘protect’ her but also manipulate her into accepting a deeper relationship with him. I could do with much less creepy relationship dynamics in general in YA books – but since they’re a real threat every day I can get past that, but not without seeing better, healthier dynamics demonstrated – and relationships with dead/missing partners doesn’t really count for that. I really loved the setup of the book, the setup of the romance, Kenders and her band, Andrew trying to get to know her and get past crappy one-liners. I like how they connected and spent time together, and how the love between them blossomed was gorgeous! What I didn’t like is that by the time the present-day story takes place, that romance has subsumed all of Kenders feelings and personality – I know from the first part of the book that she’s not cardboard, but sometimes it’s hard to remember that. I don’t feel like she got to be as awesome as she was set up to be.

I really wanted the intrigue of the story to take me deeper and to bring Kenders out of her grief, have her discover more, and act on the knowledge she uncovers, the book focuses too much on the romantic plot element which to a point is satisfying and believable, but becomes forced and takes over what is really engaging and interesting about the story. I wanted to know more about Nirvana, about Hexagon, about how things got the way they are and what the other secondary characters like the Corporal, the psychologist and Serge think of things – it was there, but I wanted more of that and less of Kenders’ pining. Also, her familial backstory as a motivator is relevant but it was dwelt on in a way that I didn’t find that relevant to the central story. The presentation of this dystopia seems highly plausible, but other than Andrew’s disappearance I wonder what the big threat is – is it further environmental catastrophe and even scarcer resources, is it from Hexagon? Throughout the book that remained unclear to me.

While some books get by purely on characters, this book relies heavily on plot, which Stewert executes deftly. I’m left wanting answers to questions raised by the book and I look forward to the next book.

An eARC of this book was provided by the publisher via Netgalley in exchange for an honest review.

AWW15: Mythmaker by Marianne de Pierres

Mythmaker coverAustralian Women Writers Challenge: Book #6

Title: Mythmaker (Peacemaker 2)

Author: Marianne de Pierres

Publisher and Year: Angry Robot, 2015

Genre: urban fantasy, environmental fiction, dystopia

 

Blurb from Goodreads:

Virgin’s in a tight spot. A murder rap hangs over her head and isn’t likely to go away unless she agrees to work for an organisation called GJIC with Nate Sixkiller as her immediate boss. Being blackmailed is one thing, discovering that her mother is both alive and the President of GJIC is quite another. Then there’s the escalation of Mythos sightings, and the bounty on her head. Oddly, the strange and dangerous Hamish Burns is the only one she can rely on. Virgin’s life gets… untidy.

My review:

An eARC of this book was provided by the publisher via Netgalley in exchange for an honest review.

What a great continuation from PeacemakerMythmaker is the new book in this series and it picks up where the last book left off with Birrimun Park still under threat by Mythos, a largely unknown enemy. This book, this series has such grand style about it! Fantastic characters that live up to their outlandish names, government conspiracy, political intrigue, environmental dystopia, the unknown alien enemy, tiny hints of romance – but nothing trite or easy. This book reminds me of Lois McMaster Bujold in the way it blends different sub-genres to get the best telling of a story, and I devoured every word and was left desperately wishing for more! Book two of a series, Mythmaker benefits greatly from reading Peacemaker first, as it builds on the story begun in book one and is clearly working towards a grand conclusion. Having read much of de Pierres’ work, it will be well worth the wait! I reviewed Peacemaker  not long ago if the sound of this series interests you.

This book evokes a believable imagining of a near-future Australian not-quite dystopia. The supercity setting with overpopulation and one remaining nature reserve in Birrimun Park seems real enough to send chills down your spine. One of the elements I particularly liked about Mythmaker was how technology was both an ally and an enemy. Issues with lack of citizen privacy exist, there’s a sense of constant surveillance or close to it, but it also seems to be something that can be manoeuvred around. And similarly, there are limits to the information that can be easily obtained by the agency Virgin is working for with Nate Sixkiller. In this book, technology is used as tool and not as a crutch for the story, something that isn’t always done well but here it’s quite apparent. It’s also clear that the government agency that Virgin is forced to join forces with isn’t telling her everything, but she has great friends and the odd unlikely ally or two that help her get to the bottom of things. This too is what is satisfying, a cast of characters and not one lone hero with the weight of the world on their shoulders – there are always other people involved.

I love the way Virgin isn’t satisfied with being put in a place and told to do a certain thing. She takes the role she’s been given and the constraints and uses them to do things her own way. Also, I really love the way Caro’s role in the story and as Virgin’s friend is continued and expanded as it feels very real to me. This is something that I’ve noticed particularly with de Pierres’ writing is that she writes friendship beautifully, it’s deeply satisfying. If you’re someone who reads for great friendship, then you can’t go past the friendships and character dynamics created in this book, and others by the author (I’d particularly recommend the Tara Sharp books for friendship dynamics, and the Sentients of Orion series for intricate, complex and compelling character dynamics).  All of the characters and not just the protagonists in this series are colourful and so deftly written I can almost picture them as I read, almost hear their voices when they speak – like Papa Brise, Chef Dab, Caro and Greta. I love this and it’s often what has me fall in love with a book or series.

More and more this style of urban fantasy is what I’m drawn to. Stories of a city, stories of a place, but not an old-world foreign, medieval style place. I love the weave of fantasy with modernity! And I love the way that books like this can project into the future the concerns of the present, the consequences of our lack of environmental foresight, the threat of corporate and government oversight and what that change in the context of citizenship and freedom may look like. I love the Australia that is at the heart of this book, it’s a layered mythology that is anything but stereotypical. Instead, it comes across as familiar to those of us who live here, and I think creates an inside view and sense of knowing for readers from beyond Australia’s shores; not in a way that evokes typical imagery or landmarks, it’s deeper and more subtle than that.

If you are looking for unique, beautifully written urban fantasy. This series is for you, Peacemaker and Mythmaker are visionary and deeply satisfying books to read. Mythmaker continues what Peacemaker started ramping up the action, with even higher stakes, doesn’t let up and definitely doesn’t disappoint.

 

AWWC15: Peacemaker by Marianne de Pierres

Peacemaker - coverAustralian Women Writers Challenge: Book #5

Title: Peacemaker (Peacemaker 1)

Author: Marianne de Pierres

Publisher and Year: Angry Robot, 2014

Genre: urban fantasy, environmental fiction, dystopia

 

Blurb from Goodreads:

Virgin Jackson is the senior ranger in Birrimun Park – the world’s last natural landscape, overshadowed though it is by a sprawling coastal megacity. She maintains public safety and order in the park, but her bosses have brought out a hotshot cowboy to help her catch some drug runners who are affecting tourism. She senses the company is holding something back from her, and she’s not keen on working with an outsider like Nate Sixkiller.

When an imaginary animal from her troubled teenage years reappears, Virgin takes it to mean one of two things: a breakdown (hers!) or a warning. Dead bodies start piling up around her, so she decides on the latter. Something terrible is about to happen in the park and Virgin and her new partner, U.S. Marshall Nate Sixkiller, are standing in its path…

My review: 

Marrianne de Pierres takes  urban fantasy and societal downfall in a unique and intriguing direction. I’m such a huge fan of this author and both her versatility and intricacy in storytelling. ‘Peacemaker’ is visionary, it’s so different and marries elements that remind me of space opera, with urban fantasy unlike anything we’ve seen before, intermingled with elements of the old Western pulp stories with stunning results.

One of the interesting things about this universe is that it’s all believable. It absolutely makes sense that in the future setting of this book, there is just a supercity and one lone Outback reserve. The rest of the details on what remains of Australia and indeed the rest of the world is a little sketchy, there’s hints about it but there’s no global picture offered. The mythologies intermingled in this novel are engaging, and very little is let slip by the author – this is a taste test where we discover the existence of these unknowns from another reality, what is fact and truth remains blurry.

Virgin Jackson is a brilliant heroine, she’s both fallible but has strength of character that draws you in. I found Nate to be equal parts mysterious and coy and I really want to know more. Caro’s friendship with Virgin makes her real, brings that three dimensional experience to the characters and the events of the book that really bring them to life – that’s the role of a good secondary character and Caro is masterfully written. All the peripheral characters leave an impact and this is unusual, more often they’re forgettable. In ‘Peacemaker’ I can still hear Papa Bise’s voice in my head and I can picture Kadee Matari in my mind like a photograph, even Virgin’s boss Bull Hunt leaves a lingering impression. These are the kind of characters that I am invested in and would read about over and over again.

I love that the futuristic landscape is recognisably Australia, and yet also seems to be so very alien as well. So close and yet so far is the only way I can describe it; everything is just within the boundaries of recognisable so it doesn’t seem like it could possibly be that far away – but the societal and environmental consequences create a cognitive dissonance because such vast changes don’t seem possible in any kind of short time frame. The effect discomforts the reader even as it draws them deeper into the intricate storyline.

The plot for ‘Peacemaker’ is beautifully layered and it unfolds carefully, not giving too much away. Always the events and experiences of the characters draw you in a little deeper you wonder what happens next. Even if you can guess the succession of events, the motivations and reasoning behind them remains obfuscated.

I devoured this book in one sitting, I couldn’t put it down and I’m already eagerly counting down to book two. If you like urban fantasy, unique heroines and intricate plots I highly recommend this book for you.

Review: Pawn by Aimee Carter

Pawn - coverEscape Club Bookclub: January

Title: Pawn

Author: Aimee Carter

Publisher: Harlequin Teen, 2013.

Genre: Urban fantasy, near future, dystopia, young adult.

Blurb from Goodreads:

For Kitty Doe, it seems like an easy choice. She can either spend her life as a III in misery, looked down upon by the higher ranks and forced to leave the people she loves, or she can become a VII and join the most powerful family in the country.

If she says yes, Kitty will be Masked—surgically transformed into Lila Hart, the Prime Minister’s niece, who died under mysterious circumstances. As a member of the Hart family, she will be famous. She will be adored. And for the first time, she will matter.

There’s only one catch. She must also stop the rebellion that Lila secretly fostered, the same one that got her killed …and one Kitty believes in. Faced with threats, conspiracies and a life that’s not her own, she must decide which path to choose—and learn how to become more than a pawn in a twisted game she’s only beginning to understand.

My Review:

I finished this book this morning while on my way to do yet more wrestling with a government organisation about my worthiness to study, to make something of my future that doesn’t include welfare and whatever job I can get at any given time. So this one kind of hit me right between the eyes. I really identified with Kitty, and the antics of the family in power also rang true to me – from that outside perspective wondering how they can be so blind and also knowing that for some of them at least, the privilege is no picnic.

And yet, privilege is privilege, regardless of how that status gets defined and that doesn’t get diminished just because there is struggle. I thought that the book demonstrated the difference between personal struggle and systematic oppression really well actually – and did so in a way that didn’t single out any particular group in terms of skin colour or lifestyle etc. It’s still worth noting that the family in power are white and conventionally attractive, and there are no notable characters of colour in the book. Similarly, no mention of any queerness. The aged and those with disabilities are essentially disposed of wholesale and I think the way that happens as an arbitrary line demonstrates very obviously that there’s an issue with discrimination at hand – hopefully that makes other readers question the way people who are older and people who have disabilities are treated in the here and now.

The book is a YA gem, and sophisticated enough for adult readers to enjoy easily – and indeed I think they’d benefit from reading this book. It’s a book about the state of society and that’s always a subject worthy of consideration and comparison – fiction to the real, the near-future of the book, to how things are now.

This book was easy to read, it flowed nicely and neither gave too much away nor hid things away and obfuscated too much – reveals happened at points that made sense and enhanced the overall story narrative. I’m really looking forward to the next book.