Australian Women Writers Challenge 2016 Completion Post

Australian Women Writers Challenge 2016 BadgeHere we are on December 30, 2016 and I’m writing my completion post for the Australian Women Writer’s Challenge 2016 at the very last minute! In fact I only posted my last reviews yesterday… but oh was I productive! Turns out, I’ve read 17 books and reviewed them all (some here and some on Goodreads) by Australian Women Writers.

Books I reviewed here on my blog for the challenge include some of the Twelve Planets collection by Twelfth Planet Press which I was doing as a challenge with Stephanie of Forest of Books, but there were some others as well. Below is a complete list with handy links to the books I read and reviewed for the challenge this year.

2016 Books Read and Reviewed for the Australian Women Writers Challenge

Journey Through the Twelve Planets

Smaller image of a series of vertical book spines showing the twelve planet books in various colours. Header text white on transparent black overlies the image with the title 'A Journey Through the Twelve Planets'.Stephanie and I had hoped to complete this challenge in 2016, but the second half of the year hammered us and so we’ve still got 6 books to go. That said, this has been a very worthwhile challenge and we’ve enjoyed it a lot. In particular for myself, I’ve read authors I had been meaning to read for ages, and kinds of fiction that are outside my comfort zone – with good results.

Nightsiders by Sue Isle

Love and Romanpunk by Tansy Rayner Roberts

Thief of Lives by Lucy Sussex

Bad Power by Deborah Biancotti

Showtime by Narelle M. Harris

Through Splintered Walls by Kaaron Warren

Nightsiders - coverLove and Romanpunk - coverThief of Lies - cover

 

Bad Power - coverShowtime - coverThrough Splintered Walls - cover

 

 

 


Reviews at The Conversationalist

Who’s Afraid by Maria Lewis

Illuminae by Amie Kaufman and Jay Kristoff

An Accident of Stars by Foz Meadows

Den of Wolves by Juliet Marillier

Kid Dark Against the Machine by Tansy Rayner Roberts 

Who's Afraid - coverIlluminae - coverAn Accident of Stars - coverDen of Wolves - coverKid Dark Against the Machine - cover

 


Reviews on Goodreads

Fake Geek Girl by Tansy Rayner Roberts

Innocence Lost by Patty Jansen

Glass Slipper Scandal by Tansy Rayner Roberts

The Seduction of Lord Stone by Anna Campbell

Unmagical Boy Story by Tansy Rayner Roberts

Tempting Mr Townsend by Anna Campbell

Not bad overall! Not as well as I’d hoped to achieve, but I was over-ambitious anyway given that I am in the last third of my Midwifery degree. I’ll be keeping that in mind when setting goals for next year.

AWW16: Kid Dark Against the Machine by Tansy Rayner Roberts

Australian Women Writers Challenge 2016: Book #11

Australian Women Writers Challenge 2016 BadgeTitle: Kid Dark Against the Machine

Author: Tansy Rayner Roberts

Publisher and Year: Book Smugglers Publishing, 2016

Genre: fantasy, super heroes

 

 

Kid Dark Against the Machine - coverBlurb from Goodreads:

From the award-winning author of Cookie Cutter Superhero comes a brand new story about sidekicks, supervillains and saving the world

Back when he was called something else, Griff knew everything about superheroes, sidekicks and the mysterious machine responsible for creating them. Now, Griff is just an average guy, minding his own business. A volunteer handyman at the Boys Home—his former home—Griff spends his days clearing out gutters and building clubhouses for the orphans at the Home. Nothing heroic or remarkable about that, right?

But all of that changes when one of the Home kids starts having weird dreams about another Machine—an evil version that churns out supervillains. Griff remembers the call of the Machine, and reluctantly decides to help the kid on his mission.

And then they waltz back into Griff’s life. Those bloody heroes. Including him—The Dark—one of Australia’s mightiest and longest-running superheroes.

What’s a retired secret superhero sidekick to do?

 

My Review:

I’m an unashamed fan of Tansy’s writing and I absolutely could not resist a follow up story to Cookie Cutter Super Hero from Kaleidescope. I have to say that Kid Dark Against the Machine was a glorious follow up story in this universe. I loved it! Griff is a great character, he’s so likeable and relatable the moment you meet him – and you can absolutely see where he’s coming from as a child superhero trying to figure out what on earth to do with his life after.

I love the themes that this story explores, also in keeping with the original story. Superheroes and tropes used by them and in comics. While Cookie Cutter Super Hero introduced us to some of these criticisms, I really think that Kid Dark Against the Machine brought it home – I don’t think you can read this story (either of them really) and look at super heroes and comics the same way.

I loved that this story made super heroes accessible to me as a reader who is only occasionally interested in the superheroes and comics genre. I didn’t need ten years of back knowledge to understand what was going on, Tansy gave me everything I needed to appreciate every snarky moment and subversive twist in the story. I loved all the names of the heroes and the villains, I loved that the hero and villain processes for selection and being in the spotlight were so different. I loved that being a super hero wasn’t lauded, and that there was this narrative time given to the person and human left behind once the world has moved on to other super heroes.

Kid Dark Against the Machine is a fluffy story that tackles good versus evil in a whole new way – it tackles it in the cheesy fun way that comics do all the time, but it also tackles the assumptions that underpin the genre. Tansy manages this in a way that couldn’t be further from dry and boring, you get your pop culture, gender politics and child hero ethics lesson in a cute package that is over far too quickly.

I’m with all the others who are calling for a novel in this universe, it’s got so much to offer and I’d read it in a heartbeat. If you want a light read, but an intelligent one about super heroes and looking at what that might be really like underneath the surface, this story is definitely for you.

AWW16: Den of Wolves (Blackthorn and Grim #3) by Juliet Marillier

Australian Women Writers Challenge 2016: Book #10

Australian Women Writers Challenge 2016 BadgeTitle: Den of Wolves (Blackthorn and Grim #3)

Author: Juliet Marillier

Publisher and Year: Roc, 2016

Genre: fantasy, historical fantasy

 

Den of Wolves - coverBlurb from Goodreads:

The “powerful and emotionally-charged” fantasy series from the author of the Sevenwaters novels continues, as Blackthorn and Grim face haunting secrets and old adversaries…

Feather bright and feather fine, None shall harm this child of mine…

Healer Blackthorn knows all too well the rules of her bond to the fey: seek no vengeance, help any who ask, do only good. But after the recent ordeal she and her companion, Grim, have suffered, she knows she cannot let go of her quest to bring justice to the man who ruined her life.

Despite her personal struggles, Blackthorn agrees to help the princess of Dalriada in taking care of a troubled young girl who has recently been brought to court, while Grim is sent to the girl’s home at Wolf Glen to aid her wealthy father with a strange task—repairing a broken-down house deep in the woods. It doesn’t take Grim long to realize that everything in Wolf Glen is not as it seems—the place is full of perilous secrets and deadly lies…

Back at Winterfalls, the evil touch of Blackthorn’s sworn enemy reopens old wounds and fuels her long-simmering passion for justice. With danger on two fronts, Blackthorn and Grim are faced with a heartbreaking choice—to stand once again by each other’s side or to fight their battles alone…

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

Den of Wolves is a superb conclusion to the Blackthorn and Grim trilogy. I have loved this series so much, it captivated me from the very beginning. I adore these characters, my heart has wept and broken with theirs, it has exalted with theirs and it has taken quiet joy in small things, justice and friendship as theirs has. I can’t be anything other than sentimental about this book, it was glorious. If you want a contained example of epic/high fantasy done well, this is an excellent example. Especially if you’re done with tired fantasy tropes of magical chosen one on a quest stories and so forth. Read this.

In particular, one of the things I loved most about these books is the consistent character development that the key protagonists Blackthorn and Grim went through. Some of their development they achieved through their relationship with one another, but they also developed independently of one another. The rich depth to these characters and their background stories, their reason for being, their reason for continuing on was compelling from the start, and no more so than this book. Blackthorn still wrestles daily with her geas where she cannot pursue vengeance for her family and the people she once spoke up for. Her discomfort with standing by idly while wrong continues to be perpetuated resonates with me. It takes Grim to remind her that rushing into vengeance that results only in futility and not in any change is pointless, and I value that too.

One of Blackthorn’s defining characteristics is her anger. Given my own discomfort with my anger, she is a fascinating character to explore this emotional experience with. Her anger changes over time, it is tempered but never decreases. It is leashed, but never far from the surface. It is clear that Blackthorn is at times consumed by her anger, that it controls her life rather than herself, but that too is part of the story and her learning. In Den of Wolves the shape of her anger has purpose, and though it is impatient and she battles with the need to do something, she also puts her anger to work doing what she can.

We finally see a conclusion to the overarching plot in this series with Den of Wolves. There is the culmination to Blackthorn’s quest for vengeance, but it occurs in a rather unusual way. It was such a satisfying vengeance, I felt like all the ways in which it needed to be fair were observed, all the ways in which acknowledgement of wrongs that could never be righted occurred, and that truly justice was done. There’s an idealism in how this book concluded, and thus how the series concluded that is especially attractive to me right now. This book and series are excellent for comfort reading if you need to know that everything will actually be okay, but that it will not be hand-waved away and the ending will matter.

Marillier is a very solid and satisfying author of fantasy, she never fails to deliver a book that is compelling, has depth, extols the virtues of kindness and makes you want to turn page after page, long after the hour of bedtime has come and gone. She is a favourite author of mine – and has been since I first picked up her books. I sincerely want to put this book and series in the hands of anyone who professes to appreciate fantasy. Den of Wolves is a magnificent conclusion to an outstanding series, and shows the brilliance of Marillier as an author.

 

AWW16: Through Splintered Walls (Twelve Planets #6) by Kaaron Warren

Australian Women Writers Challenge 2016: Book #9

Australian Women Writers Challenge 2016 BadgeTitle: Through Splintered Walls (Twelve Planets #6)

Author: Kaaron Warren

Publisher and Year: Twelfth Planet Press, 2012

Genre: speculative fiction, horror, Australian

 

Through Splintered Walls - coverBlurb from Goodreads:

From Bram Stoker Award nominated author Kaaron Warren, comes Book 6 in the Twelve Planets collection series.

Country road, city street, mountain, creek.

These are stories inspired by the beauty, the danger, the cruelty, emptiness, loneliness and perfection of the Australian landscape.

‘Every Warren story is a trip with no map.’ – Gemma Files

‘Her fiction shifts across genres smoothly and intelligently, never settling for the easy path… she doesn’t flinch.’ – Andrew Hook

‘As with most of the best horror writing … the power of Warren’s strongest stories comes from the mirror they hold up to our everyday practices and prejudices.’ – Ian McHugh.

 

My review:

This review is presented as part of my contribution to the Australian Women Writers Challenge 2016, and as part of the Journey Through the Twelve Planets Reading Challenge


I’ve been thinking about how to approach my review for this collection. It’s definitely one of the more challenging books I took on reading this year – it took me months to work up to it, quite a while to read through (because I am just not very good with horror at all), and then I’ve been sitting on trying to think how I review this book. It’s a masterful collection of horror stories. This is an excellent standard and example of non exploitative and non-gratuitous horror. The horror within these pages is all to real, all to accessible and relatable – that’s what makes it horrific.

I think I will talk about this book in two parts. I will talk about the first three short stories because they worked really well together as an introduction to Warren’s work. They were creepy and horrific but not so much that I worried about falling asleep at night. My heart went out to the protagonist in ‘Creek’, but the standout of these shorts for me was ‘Road’. It was equal parts creepy and caring but I really liked it.

To talk about ‘Sky’ wow… I don’t even know how. It’s an exceptional novella. I think it goes up there with one of my other reading experiences ‘Wives’ by Paul Haines as something I’m definitively glad to have read, but never want to revisit and might need a support group having now read it. Actually I found a lot of parallels in the reading of ‘Sky’ and ‘Wives’, the familiarity of an Australian cultural background to the story was very real to me – as was the way that setting was presented as a kind of innate horror in and of itself. Whether Warren intended it or not, the entire background of the protagonist, where he came from, his family, Canberra and the town of sky were all coded as horrific to me from the beginning. This novella was a like a slow boil of horror and scary.

That’s true of the last page which absolutely gutted me, and nailed home the depth of the horror involved and how slow-boiling that had been. I can still remember the description on the page, can recall the images that came to mind and the emotion that came with them and I’m *gutted* all over again. Congratulations to Warren because wow, that’s visceral and I’ll never forget it. (Late at night I wish I could!)

I think one of the things that really got to me about this book, and all the stories within it, was that at every point there seemed like there could be a turning point, and uplift in the story and I kept looking for it, kept hoping for it and there were nods to it, suggestions of it, but then especially with ‘Sky’ it never eventuated – and in such a way that really drove home the story and its horror. I think it is absolutely a testament to Warren’s skill that I kept looking and hoping and reaching, until the very last moment. At every point I was firmly within her grasp. Hooked.

I am not someone who ‘enjoys’ horror, but I think it is valuable to sometimes read outside my comfort zone and to challenge myself. Is it horror I don’t like, or merely some kinds of horror. Okay, so it’s horror in general, but sometimes it’s worth it anyway. I think that’s where I am at so far – and that’s part of my experiment in reading these collections is that several of them include stories that are embedded in the horror genre, it is a chance to explore my experience of the genre without traumatising  myself too badly in the process. Also, since each collection is so far of outstanding quality, i can rely on the curation of the stories to be worth my time to try out in my exploration and that counts for a lot with me too.

If  you are someone who wonders if you hate all horror stories or if there is more to the genre for you, I highly recommend this collection. If you are already a fan of horror – particularly the insidious kind that seems all too plausible and normal, then this is also for you. ‘Through Splintered Walls’ is creepy and disturbing and scary. It’s brilliantly written. I’m so glad I read it, even if I now need a support group.

 

AWW16: An Accident of Stars (The Manifold Worlds #1) by Foz Meadows

Australian Women Writers Challenge 2016 BadgeAustralian Women Writers Challenge 2016: Book #8

Title: An Accident of Stars (The Manifold Worlds #1)

Author: Foz Meadows

Publisher and Year:  Angry Robot, 2016

Genre: fantasy, epic fantasy, queer fiction

 

An Accident of Stars - coverBlurb from Goodreads:

When Saffron Coulter stumbles through a hole in reality, she finds herself trapped in Kena, a magical realm on the brink of civil war.

There, her fate becomes intertwined with that of three very different women: Zech, the fast-thinking acolyte of a cunning, powerful exile; Viya, the spoiled, runaway consort of the empire-building ruler, Vex Leoden; and Gwen, an Earth-born worldwalker whose greatest regret is putting Leoden on the throne. But Leoden has allies, too, chief among them the Vex’Mara Kadeja, a dangerous ex-priestess who shares his dreams of conquest.

Pursued by Leoden and aided by the Shavaktiin, a secretive order of storytellers and mystics, the rebels flee to Veksh, a neighboring matriarchy ruled by the fearsome Council of Queens. Saffron is out of her world and out of her depth, but the further she travels, the more she finds herself bound to her friends with ties of blood and magic.

Can one girl – an accidental worldwalker – really be the key to saving Kena? Or will she just die trying?

 

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review. This review is presented as part of my contribution to the Australian Women Writers Challenge 2016.

An Accident of Stars is a very solid debut novel from Foz Meadows, it truly brings epic and portal fantasy to life. This book is equal parts the start of an epic story and a coming of age story. This is also a story that disabuses you of the notion that nothing *truly* bad can happen to your heroe(s) in a novel, because there are consequences experienced by protagonist Saffron, and other key characters throughout the novel.  There’s a depth and realism to the story because of this commitment in storytelling, and yet it doesn’t ever approach ‘grim dark’ to me, just solid storytelling.

One of the things I love most about this book is the sheer diversity of characters in this novel, they come from so many different backgrounds, they have different experiences of gender, sexuality, ethnicity, skin colour, cultural backgrounds. Rather than being mashed together uncomfortably, these elements come together quite seamlessly in the central rebel compound where Saffron finds herself in the beginning of the novel. I loved that an older woman, who was far from perfect was the rebel leader. There are so many women in this book, and the male characters all came with personalities that I am interested in, with stories of theirs I wanted to explore – rarer than you  might suppose these days. This novel is a triumph to diversity – I’m sure there are improvements, nothing can be everything to everyone but I think this makes a good effort at doing so.

There is a lot going on in the story, as the readers we share in Saffron’s confusion as things unfold – twists and turns in how things affect the rebels, the potential impact on Saffron her self. There’s physical, emotional and political battles involved in this story – it’s multifaceted which gives the story depth, things happen do not happen in a vacuum or in isolation. The storytelling well thought out and executed, making this a satisfying read.

If I have one criticism it is that the book is a debut novel and the writing does reflect this, I found it clunky in places, and in others it threw me out of the reading experience. This is a minor criticism though as overall it is a well polished first novel, and everyone is allowed to grow over time. There is always a starting point – this is an excellent one. I also thought this book was nicely self-contained, you don’t *have* to read the next book if you don’t want to or don’t like series. There’s the opening and minor-cliffhanger for more story but you could absolutely ignore that without any issue. I am looking forward to the next book though because I’m interested to see where the characters go from here and how the broader story unfolds.

AWW16: Showtime (Twelve Planets #5) by Narelle M Harris

Australian Women Writers Challenge 2016: Book #7

Australian Women Writers Challenge 2016 BadgeTitle: Showtime (Twelve Planets #5)

Author: Narelle M. Harris

Publisher and Year: Twelfth Planet Press, 2012

Genre: speculative fiction, urban fantasy, fantasy, horror

 

 

 

 

Showtime - coverBlurb from Goodreads:

Family drama can be found anywhere: in kitchens, in cafes. Derelict hotels, showground rides. Even dungeons far below ruined Hungarian castles. (Okay, especially in Hungarian dungeons.)

Old family fights can go on forever, especially if you’re undead. If an opportunity came to save someone else’s family, the way you couldn’t save your own, would you take it?

Your family might include ghosts, or zombies, or vampires. Maybe they just have allergies. Nobody’s perfect.

Family history can weigh on the present like a stone. But the thing about families is, you can’t escape them. Not ever. And mostly, you don’t want to.

My review:

This review is presented as part of my contribution to the Australian Women Writers Challenge 2016, and as part of the Journey Through the Twelve Planets Reading Challenge


And here is the  moment you’ve all been waiting for, I found a horror story that was truly chilling but that I really enjoyed reading and loved the hell out of! Maybe I can do this reading horror thing afterall! Showtime is the fifth collection in the Twelve Planets project orchestrated by Twelfth Planet Press and it is another fine addition to the series. I really enjoyed this book and the stories. I must also report that much to my amusement when I was reading the introduction, it reminded me of Seanan McGuire’s voice/tone well before I knew she did actually write the introduction. I was reminded quite strongly of interviews I’ve listened to recently, her voice was incredibly strong in my mind. I laughed out loud when I realised that it really was McGuire speaking.

Stalemate

This story has the honour of being the horror story that could, and did chill me in my reading of it, and yet utterly thrill me too. On the surface I could really empathise with both mother and daughter and the confrontation they were having, the difficulty in both needing each other, dealing with each other’s foibles and the frustration involved. And then there’s a twist and it’s not a simple confrontation at all. I can’t say much more without spoiling things, but I only saw part of the twist coming but it came back for seconds and was brilliant. The writing of this story was very tight and both the character of Helen and her mother Olivia came alive in my mind as I read.

What is particularly interesting for me on a personal level about this story is that I was truly chilled by it, but not scared – and didn’t struggle with reading it at all. This is quite unexpected for me as I’m quite susceptible to horror and as part of this project I’m quite gingerly picking my pathway through what horror I can actually read, without suffering, and more importantly: enjoy reading. This story absolutely meets those measures.

Thrall

This story is such a great play on so much of vampire fiction in all directions, it was amusing on quite a dark level and I enjoyed it thoroughly. Erzsebet was brilliant and delightfully cunning in the way she came to deal with the vampire she and her family were bound to. I laughed several times listening to a frustrated vampire recount the difficulty in engaging and dealing with the modern world – being mistaken for a ‘Granny groper’ while trying to poach a victim for her blood, all captured on smartphone. I think that this is one of my favourite was This was a great shift in tone from the previous story and was an excellent ‘unicorn chaser’.

The Truth About Brains

So, I have a thing about zombies. I hate them. I hate them with every fibre of my being. And yet, every so often, something comes along and I like it *despite* the zombies in it counting against it. This is one such story. Kids, siblings and antics including unexpected accidents and zombification, otherwise known as, messing with magic when you should know better. And yet, at the end of the day parents are there to pick up the pieces, and fix things – albeit in unexpected ways. I was so surprised to laugh at this story, it was so charming. Again, subverting what is both funny, horrific, and involves genuinely touching family themes.

Showtime

I’m in the middle of reading Harris’ novel The Opposite of Life at the moment which I am enjoying a lot and this story revisits those characters in a lovely vignette that emphasises the friendship between Gary and Lissa, who for various reasons around nostalgia, decide to go to the Melbourne Royal Show. Instead of the woodchipping demonstration, they find the haunted house and old enemies causing trouble. Lissa being Lissa steps in and Gary backs her up against the monsters. I could absolutely imagine these two doing this pretty much anywhere they turn up together, planning a quiet afternoon doing something and hanging out, saving someone’s life instead. I particularly liked the conversation between Lissa and the little girl she saved about bravery and acknowledging the child’s truth directly to her. It’s a tiny thing but I one I appreciated a lot.

I really enjoyed this collection a lot, as a whole I think – I can’t actually pick a favourite story from it, they are all excellent! I love the central theme of family that runs throughout the book. Although none of the stories are connected directly, they all resonate with that same thematic element of family exploring the joys and tribulations of dealing with family, all with a supernatural twist. As an exploration of family themes, I’m hard pressed to think of a book that does a better job of considering some of the difficult concepts shared here, mother and daughter love that is as fraught as the love is deep, that frustration and love that comes from being a sibling and finding your younger brother annoying as hell – and yet, you don’t really want him dead. Being the matriarch of a line and being done with old curses, wanting freedom and hope for your family into the future, and supporting a child’s bravery and truth, appreciating chosen family in friendship. Congratulations to Harris and Twelfth Planet Press on such a well rounded read that demonstrates Harris’ talent so well.

AWW16: Bad Power by Deborah Biancotti (Twelve Planets #4)

Australian Women Writers Challenge 2016: Book #6

Australian Women Writers Challenge 2016 BadgeTitle: Bad Power by Deborah Biancotti (Twelve Planets #4

Author: Deborah Biancotti

Publisher and Year: Twelfth Planet Press, 2011

Genre: speculative fiction, mystery, crime, urban fantasy

 

 

Bad Power - coverBlurb from Goodreads:

Hate superheroes?
Yeah. They probably hate you, too.

‘There are two kinds of people with lawyers on tap, Mr Grey. The powerful and the corrupt.’
‘Thank you.’
‘For implying you’re powerful?’
‘For imagining those are two different groups.’

From Crawford Award nominee Deborah Biancotti comes this sinister short story suite, a pocketbook police procedural, set in a world where the victories are only relative, and the defeats are absolute. Bad Power celebrates the worst kind of powers both supernatural and otherwise, in the interlinked tales of five people — and how far they’ll go.

If you like Haven and Heroes, you’ll love Bad Power.

My review:

This review is presented as part of my contribution to the Australian Women Writers Challenge 2016, and as part of the Journey Through the Twelve Planets Reading Challenge


I can positively say that the anthologies that utilise a shared universe in which to tell stories in a collection is one of my favourite ways to read short stories (whether novelettes, short stories, flash pieces, or novellas). Biancotti has delivered a very tight collection that weaves together beautifully. I almost didn’t like this collection much until I realised that I’d have lapped up every moment if it was in television form – and it’s like something clicked for me and I was in love.

I feel like in some ways these stories explore the idea of super-powers and the assumption that these encourage the emergence of heroes who do good in the world. Biancotti explores a more realistic and somewhat darker exploration of the idea of powers  – we’re all individuals after all, and not all of us are Superman, Wonder Woman or Batman. It’s not even like we’re all villains either – Biancotti deftly melts away the archetypes that go with the presentation of stories involving super powers and explores instead the ordinary ways of corruption, of getting by and are more about capitalism than making a difference to others. This is truly a unique exploration of super powers and a thorough dressing down of the idea of the super hero.

I would like to read more stories featuring Detective Palmer, who threads each of the stories, although I think they tie together in ways that are much more satisfying than her appearance alone. Her character interests me and her adventures in law enforcement, the weird cases she catches appeals to me a lot. She leaps of the page in a way that I love best from characters I read.

I think in this case I can’t look at the stories individually because it was only when I thought of them together in context that these stories came together as they were supposed to for me. I think this is partly that I’m less familiar with crime reading overall, especially gritty crime that tends toward the dark – this much more closely matches my television watching habits so that’s partly the lens through which I’m considering my review.

I didn’t find myself feeling sympathetic towards Grey or Webb as characters, the personality of Webb’s mother was quite chilling. I’m really sad that the old woman ended up dead – I was really taken with her character, and yet her death had weight and meaning for me as a reader – I missed her. It won’t surprise anyone who knows me that Crossing the Bridge was my favourite story of the collection – it brought a fulmination to Palmer’s character in connection with a character we’re newly introduced to, but who represents  the idea of optimism and that just because several people with powers are evil, jerks or simply opportunistic and amoral if otherwise benign, not everyone is and occasionally you get someone who really does want to make a difference, and has the power to do.

This is my first introduction to Biancotti’s work actually, and I really enjoyed the read. However, it is unlike anything else I’ve read before and sometimes that lack of familiarity meant I found it harder to slide into the story and immerse myself. I’m not much of a crime reader – particularly where it’s darker and a bit more gritty. However, the speculative element to this story really rounded it out for me as an experience I could really enjoy and trust in the individual narratives and their connection to one another to show me a good time.

Bad Power is another fantastic addition to the Twelve Planets series by Twelfth Planet Press and truly shows the versatility of the Press in the work it produces while maintaining a consistently high quality calibre of stories published. I have a not so secret hope that Biancotti may return to this universe, and in particular the character of Detective Palmer as I’d enjoy being able to continue reading about her adventures. That to me is really a sign of how much I enjoyed this collection – the world and its characters living beyond the reading of the last page.

 

AWW16: Thief of Lives by Lucy Sussex (Twelve Planets #3)

Australian Women Writers Challenge 2016: Book #6

Australian Women Writers Challenge 2016 BadgeTitle: Thief of Lives (Twelve Planets #3)

Author: Lucy Sussex

Publisher and Year: Twelfth Planet Press, 2011

Genre: fantasy, urban fantasy, collection, anthology

 

Thief of Lies - coverBlurb from Goodreads:

Why are certain subjects so difficult to talk about?
What is justice?
Why do writers think that other people’s lives are fair game?
And what do we really know about the first chemist?

A story about history, women, science (and also the demonic); a crime story, based upon a true crime; a realist satire of the supposedly sex-savvy; and a story exploring lies, and the space between the real and the unreal. Welcome to the worlds of Lucy Sussex, and to her many varied modes.

 

My review:

This review is presented as part of my contribution to the Australian Women Writers Challenge 2016, and as part of the Journey Through the Twelve Planets Reading Challenge


Another really solid addition to the Twelve Planets collection by Twelfth Planet Press. This book wasn’t my favourite, but Sussex has been on my ‘to read’ list in my head for quite a while so I’m pleased to finally read some of her work. Overall I enjoyed this collection, but I didn’t fall into it the way I did with both Nightsiders and Love and Romanpunk. I do think this is a great introduction to Sussex’s work and her talent across different genres and styles of writing.

Alchemy

The first story in the collection is Alchemy, and it’s my favourite of the collection. I love Tapputi’s character, her quiet strength and being utterly grounded in her world. I love the observation of her throughout her life by Azuzel and how drawn he his to her and the potential he sees in her in a history-making sense. This is a story that I think demonstrates boundaries really well – in a kind of abstract but also literal sense. Azuzel makes an offer, after observing Tapput, she refuses and he respects her decision. He returns to observe her, still drawn to her ‘once in a generation’ mind and offers again – years later, and respects her again and possibly more when she still refuses. I definitely got the sense of Azuzel as an immortal entity wafting throughout time and history acting, interacting, observing but lacking earthly substance without that alchemical connection. Stories like this one are amongst those I particularly enjoy – the connection (romantic or not) between an otherworldly character and a worldly character (using broad definitions), it just presses a big emotional satisfaction button for me.

Fountain of Justice

Fountain of Justice was an interesting story, and it didn’t really work for me but I did like Meg’s character. The story didn’t quite fulfil the premise for me, although I was engaged by the ideas behind the story – all of them separately were interesting, but I don’t feel like they came together as a whole in the end.  I did love the idea of the fountain being the agent of justice, and also that sometimes needs must and the official rules and version of things may be different from certain truths.

The Subject of O

The Subject of O is a story where I loved the premise and enjoyed the story but it didn’t get under my skin and it didn’t stay with me. On the surface, lots about this story is my jam – female sexuality, invisibility and uncovering the ordinary in society. But while I loved the way Petra considered female sexuality and orgasms, and the truth around communicating them (or not) with the person you’re having sex with, it was a bit meh for me. Maybe it’s simply that this is a subject in which I’ve thought and thought and over-thought, or that I’m not sure. It also occurs to me that the story is intended to be satirical and that tends to be hit and miss for me.

Thief of Lives

Thief of Lives is an ‘Inception-like’ story, it’s the story in which the title of the collection is taken from, and features a book of the same name within. That part tickles me quite a lot. Actually, I really loved the dark and urban style fantasy involved here and I think my real complaint with this story is that it was merely a taste and I wanted a novel with these characters, with this universe. It was really engaging although at times hard to follow, but overall really satisfying.

 


*A note for those tracking numbers, the 5th book I read for the Australian Women Writers Challenge was ‘Innocence Lost’ by Patty Jansen, but since I didn’t enjoy it I’ve only reviewed it on Goodreads.

 

AWW16: Love and Romanpunk by Tansy Rayner Roberts (Twelve Planets #2)

Australian Women Writers Challenge 2016: Book #4

Australian Women Writers Challenge 2016 BadgeTitle: Love and Romanpunk (Twelve Planets #2)

Author: Tansy Rayner Roberts

Publisher and Year: Twelfth Planet Press, 2011

Genre: fantasy, alternate history, historical fiction, urban fantasy,

 

Love and Romanpunk - coverBlurb from Goodreads:

Thousands of years ago, Julia Agrippina wrote the true history of her family, the Caesars. The document was lost, or destroyed, almost immediately.
(It included more monsters than you might think.)

Hundreds of years ago, Fanny and Mary ran away from London with a debauched poet and his sister.
(If it was the poet you are thinking of, the story would have ended far more happily, and with fewer people having their throats bitten out.)

Sometime in the near future, a community will live in a replica Roman city built in the Australian bush. It’s a sight to behold.
(Shame about the manticores.)

Further in the future, the last man who guards the secret history of the world will discover that the past has a way of coming around to bite you.
(He didn’t even know she had a thing for pointy teeth.)

The world is in greater danger than you ever suspected. Women named Julia are stronger than they appear. Don’t let your little brother make out with silver-eyed blondes. Immortal heroes really don’t fancy teenage girls. When love dies, there’s still opera. Family is everything. Monsters are everywhere. Yes, you do have to wear the damned toga.

History is not what you think it is.

My review:

This review is presented as part of my contribution to the Australian Women Writers Challenge 2016, and as part of the Journey Through the Twelve Planets Reading Challenge


I like to think that I’m someone who appreciates history. I like to think I have an interest. If I’m honest, it’s an interest where I’m easily distracted and I’ve rarely taken the time or opportunity to dig deep into the history of something and really become immersed. So reading this collection by Tansy I see what comes out of the possibility of such immersion – where you come out the other side of what can be factually established, what is theorised, what evidence tells us (what little there is for women’s history at least), and into the realm of pure speculation. The result is glorious.

I’ve seen several comments about how this collection is what decided people on becoming a Tansy fangirl – and I can really see why! I am a fangirl already (the Creature Court series really hooked me). These stories, although set in the same overarching universe are distinct from each other and self contained. However they also create an overall narrative that is a joy in the unfolding as you the reader discover.

Julia Agrippina’s Secret Family Bestiary

At first I was a little bit lost when I started this story, but I soon found my feet. I’ve got no familiarity with Roman history – beyond that Julius Caesar existed. Getting to read something of the family history of Caesar – heavily fictionalised or not was really interesting. I also love the way in which adding the supernatural and mythological elements to this family history also speculates about the nature of the history and the events surrounding the family. This was thoroughly charming as a story and I fell in love with the idea that being a ‘Julia’ was something special. How neatly is the context of women in Roman society explained here? We have the ordinary and the extraordinary contextualised alongside one another so beautifully, this particular thing I admire a whole lot.

Lamia Victoriana

Once again my lack of familiarity with the history where the story is set meant I was scrambling for a little while – I’ve no doubt if you’re familiar with the Wollstonecraft family history that there are additional layers of joyful discovery contained within this piece. It doesn’t disappoint if like me, you don’t have that background. Fanny and Mary are interesting, and I love this tiny look into their lives and of happiness in amidst the supernatural glimpsed. I’m a little enamoured of a vampire story from the point of view of being the food, the prey, the needed one. When this story ended I wondered how or if it would fit into the bigger context of the narrative begun in the previous story and though it’s subtle, looking back after finishing all the stories I can see and appreciate the links a whole lot.  I love the queerness in this story, the lush connection between Fanny and the Poet’s sister was so sweetly erotic, unapologetic and without guilt. And yet, also so very subtle – I loved it.

The Patrician 

Here I hit my stride because we leave the past behind and instead we’re in a present day alternate Australia where a replica Roman City has been built and is staffed by residents for tourists who play the part of Romans. Here we meet Clea Majora, my favourite character in the book (though Julia Agrippina comes a very close second). I love the strange relationship that evolves between Clea and Julius, friendship, curiosity and discovery in between bouts of fighting monsters. I love the sense that the real world is never quite enough for Clea, and yet she’s not so restless that she needs to leave her daily life behind completely.

I love the idea that for once a woman at age fifty and above is still considered young, and that someone thousands of years old as Julius is presented to us, only starts to think of her as a romantic companion at that point – that she’s too young before. This trope is one that is abused most often and is often well and truly into creepy territory in modern urban fantasy. It’s not that it’s impossible, just that it is so often badly done, explained flippantly or explanations make it *more* creepy and not less. The evolution of Clea and Julius’ connection is my favourite part of this story. More urban fantasy romances spanning the ages like this please!

Last of the Romanpunks

And here we have both a conclusion and a beginning. On the one hand, I feel like Clea should probably have known better than to leave artefacts of supernatural Roman history lying around easily picked up. On the other hand, it was all supposedly dealt with, so I don’t blame her too much. It was such a difference to see through Sebastian’s eyes the unfolding of this story, but also his memories of his grandmother Clea’s adventures and stories. I love that he’s resourceful and recognises an awesome Julia when he finds her. Not only does he find a Julia to help him to save the day from a Romanpunk themed airship filled with lamia descend upon the cities below to wreak havoc, but the original Julia Agrippina joins in through Sebastian in order to continue trying to set right the wrongs of her family and their history. This story brings together all the elements of the previous stories, winds them down and then leaves us with the kind of conclusion which is really just another beginning. That’s rather delightful actually as I could read Tansy’s portrayal of Julia Agrippina any day!


In conclusion, this collection was beautifully put together. It delivers a wonderful experience for the reader comprised of separate, bite-sized chunks of story while also creating a deeper narrative that threads throughout all of the stories. I learned something and I got to immerse myself in a world and characters that I loved fleetingly but deeply. This book is the second of the twelve books in this collection and like Nightsiders which I previously reviewed, it’s an exceptional addition to the project and is also a book that I’m calling one of my best reads of 2016. Yes, in February. I loved this book so very much – it reminds me that even though I’m a terrible student of history I love to appreciate others’ expertise in the field, especially when they create such fictional delights such as this.

AWW16: Nightsiders by Sue Isle (Twelve Planets #1)

Australian Women Writers Challenge 2016: Book #3

Australian Women Writers Challenge 2016 BadgeTitle: Nightsiders (Twelve Planets #1)

Author: Sue Isle

Publisher and Year: Twelfth Planet Press, 2011

Genre: science fiction, dystopia, young adult

 

Nightsiders - coverBlurb from Goodreads:

In a future world of extreme climate change, Perth, Western Australia’s capital city, has been abandoned. Most people were evacuated to the East by the late ’30s and organised infrastructure and services have gone.

A few thousand obstinate and independent souls cling to the city and to the southern towns. Living mostly by night to endure the fierce temperatures, they are creating a new culture in defiance of official expectations. A teenage girl stolen from her family as a child; a troupe of street actors who affect their new culture with memories of the old; a boy born into the wrong body; and a teacher who is pushed into the role of guide tell the story of The Nightside.

 

My review:

This review is presented as part of my contribution to the Australian Women Writers Challenge 2016, and as part of the Journey Through the Twelve Planets Reading Challenge


 

This book is the first of the Twelve Planets, single author collections produced by Twelfth Planet Press and is a strong start to such a unique project. This collection by Sue Isle features four interwoven stories, each complete in its own way and each contributing to a larger sense of a dystopian future Australia. This world is painted so vividly and I join the chorus of others who hope that the author may venture back into this universe with a novel at some stage.

The Painted Girl

What I most appreciated about this story is that we’re introduced to the world of Nightside through the eyes of Kyra who is both young and confused. In some ways her understanding of the world around her is solid and broad, but in other ways there are many unknowns and her naivety shows. I appreciated that Kyra’s understanding of things centred around rules – but that where you were and who you were engaging with meant the rules may be different. I also liked that it is kindness, that Kyra reached out to Alicia that motivated the girl from the Drainers to help her in turn when Nerina turned against her.

This story is a subtle introduction to post apocalyptic Perth, called the Nightside because only the Drainers walk the day time any longer. The story that Isle has written presents both harsh realities of a broken-down society post apocalypse but also connection and hope, how people come together and work together too. Of particular note is the idea of choice, for Kyra, who has had so little choice in her life. The notion of choice is what lingers after this story has finished. The Painted Girl is a fantastic introduction to this world and its stories.

Nation of the Night

This was one of my favourite stories of the collection. Ash is such an interesting character and following his journey to pursue self-hood was powerful. In the present day, pursuit of identity presentation and representation, aspects of gender and the sexed body are fraught and difficult to achieve. In this story Isle explores what it may look like for a transgendered person in a post-apocalyptic society, where medical care is much more scarce and choices seem both more and less limited.

What really stayed with me was the difference between the present I am reading from, and the present in which Ash finds himself. Although many of the difficulties that exist outside the book in the present day, still exist in some form for Ash, the simple acceptance of him by Prof. Daniel, the doctor and those he meets in Melbourne. The question is only around his capacity to make adult decisions about himself, his body and his life – not interrogating the truth of his experience of self and gender. Such a sharp commentary on the state of things here in my present as a reader.

My only criticism with this story was that although the journey to Melbourne and home again was described as difficult that didn’t really seem to be the case. Instead, it was that Ash was an outsider in Melbourne, even as a temporary visitor that seemed more difficult to navigate – the lack of accommodation, lack of familiarity with the city and it’s particular rules. Additionally, even the constraints on the doctor in doing the favour for Ash in performing the surgery, what was possible and what his recovery would look like.

I appreciated the New Zealand family and their point of view that Ash met. Their experience and point of view provided more context as to the Eastern States and how the evacuation from the West had affected them. How, the city was trying to keep people out because of overcrowding and limited resources, how some people were lesser than others as immigrants and what the effect of this was. How, Nightside might seem like a better life to some if you found you couldn’t keep things together in Melbourne. That juxtaposition of difficulty and nod to the idea of the grass being greener on the other side was well done I thought. I found myself wanting to know what happened to the family as Ash headed home back to Perth, ending the story.

Paper Dragons

One of the themes that I thought this story highlighted, was the nature of interdependency, connection and reliance on others for shared wellbeing. The Elders rely on others to help support them, and they in turn provide support, care and knowledge. I am curious as to how Tom’s play troupe came together and why it holds such importance in their small community – there seems like there’s a story there. Not that I dispute the importance of story and community in a society like Nightside, just it seems interesting that it is prominent and held with such respect alongside survival activities – as though it is of equal importance. The why of that is interesting to me and I wish that had been explored more.

Although it’s suggested that the pages that Shani finds of a screenplay could stir up more trouble than they are worth (is the title a reflection of this I wonder?), the trouble itself doesn’t really manifest. Although the Elders do leave their houses and come to see the play – but I’m never sure what actually makes this play different from the rest put on by Tom’s troupe – why is it that the youngsters putting on the play is what shifts the balance and awakens the Elders somewhat?

I feel like this is a story of questions, that this is a story that provokes but doesn’t satisfy and that is perhaps one of the points. So much is unknown, by the youngsters, so much is forgotten or painful to the Elders, what they create together is the in-between. This is an intriguing story and I loved that we got to see Ash again, back from Melbourne and happier in himself and also accepted by the others.

 The Schoolteacher’s Tale

My other stand out favourite from the collection. I loved the way that we started the book with a confused young girl, who introduced the reader to Nightside, and that the collection ends with the story of Miss Wakeling an old woman adapting for a the future and being confronted with the need for change. I love that Shani and Itch are getting married, and have sought out the Aboriginal Elders out on the fringe of the Nightside, specifically because they see the importance of change and growing together, sharing knowledge and moving forward. There was so much hope in this story, and so much suggestion of coming together in a way that hadn’t happened before. I also love that the notion of knowledge and school and what education is useful in a dystopian future? This was such a great ending to the collection and also seemed like a beginning. I would love a novel from Miss Wakeling’s point of view about her journey out to the sea.

Overall 

There was so much to enjoy about these stories, diverse characters and situations, points of view, parallels to the present day that were nicely pointed. I loved that both Melbourne and Perth were so recognisable to me! I love that the apocalypse has already prompted adaptive changes from the inhabitants of Nightside – the children see better in the dark for example. There are so many women here and they are simply capable and interesting in their own way – even Nerina who is cast as perhaps the only unlikable character in the book. I almost didn’t notice this because it just seemed so normal and comfortable to read – and then I remembered how rare that is. Also, I love that this is not a gritty story of horror-survival but one of massive change, but still with community at its heart. I just want to reiterate how  much I’d love a novel from this world, it’s so interesting and I want to spend more time here.

Review: Illuminae by Amie Kaufman and Jay Kristoff

Australian Women Writers Challenge 2016 Badge

Australian Women Writers Challenge 2016: Book #2

Escape YA Bookclub Profile ImageEscape Club Bookclub: January

Title: Illuminae (The Illuminae Files #1)

Author: Amie Kaufman and Jay Kristoff

Publisher: Knopf Books for Young Readers, 2016

Genre: Young adult, dystopia, science fiction

Blurb from Goodreads:

The year is 2575, and two rival megacorporations are at war over a planet that’s little more than an ice-covered speck at the edge of the universe. Too bad nobody thought to warn the people living on it. With enemy fire raining down on them, Kady and Ezra—who are barely even talking to each other—are forced to fight their way onto an evacuating fleet, with an enemy warship in hot pursuit.

But their problems are just getting started. A deadly plague has broken out and is mutating, with terrifying results; the fleet’s AI, which should be protecting them, may actually be their enemy; and nobody in charge will say what’s really going on. As Kady hacks into a tangled web of data to find the truth, it’s clear only one person can help her bring it all to light: the ex-boyfriend she swore she’d never speak to again.

Told through a fascinating dossier of hacked documents—including emails, schematics, military files, IMs, medical reports, interviews, and more—Illuminae is the first book in a heart-stopping, high-octane trilogy about lives interrupted, the price of truth, and the courage of everyday heroes.

Illuminae - coverMy Review:

What an interesting format this book comes in! I was engaged by the confidential file release style of storytelling, it was interesting and let the story unfold in an unusual way. I will say that it is not very accessible, the art is gorgeous but hard to appreciate if you’re not great at holding books, or reading it on a phone screen (as I was). There were sections I skipped because I couldn’t zoom in to read some of the artistic text. However, I enjoyed the story so much that it didn’t do much to take away from the experience for me. I think this is perhaps something that the publisher would do well to consider for the future books – please keep the art, but please make it more accessible.

I really liked Kady as a protagonist, she was an interesting mix of typical teenage angst mixed with the trauma of having her whole life fall apart, both when the illegal colony was attacked and at several points while on the ship. This is an intense read – the suspense of the story is gripping and at times I found I needed to either put it down for a bit or keep reading because of the story intensity. I was so invested in finding out what happened, what was happening as the story unfolded. I thought it raised some interesting notions about AI, about hacking and government, transparency, authority and ethics in crisis situations.

I didn’t much care for Kady’s boyfriend, at no point did he come across as anything other than a jock that was largely incapable of an original thought, if not for Kady. However, that said the way in which the romance was portrayed, the having broken apart but finding that the circumstance and familiarity amidst horror drew them back together made sense to me. And, it also makes sense to me, that the crisis being all it was drew them even closer and more attached as time went on – especially given they were separated by being on different ships and so couldn’t physically get to one another (or grate on one another) in person.

The ethics of the story are complex (and spoilery).

— (spoilers) —

While Kady has a strong sense of the moral right and good thing to do, I think that the story provides good context for the other points of view. Is it the fact that the AI destroyed a ship in accordance with its programming to preserve the best chance of survival for the fleet based on its own logical deduction without human input, or the destruction of the ship itself that is the crime? Is it both? I appreciated that there was no obvious easy answer and that while Kady didn’t grapple with this herself so much, other people did and their points of view are presented as part of the documentation that tells the story.

— (end spoilers) —

Interestingly, the worldbuilding for this book is minimal – which works for the story. There is an illegal colony, there are ships in space – it’s a big area of space, and there’s a station the ships head toward the long way around because of damage to technology. We know little more about the greater context of the society (societies?) on a larger scale, how government and business and politics work, what races and factions are involved. It’s largely a mystery and while I wondered about it while reading, it’s not relevant to the story. Only what is relevant to the story and immediate situation is shared and it works to emphasise the insular nature of the tiny fleet clinging to survival.

The story could seem implausible, outlandish. However, I was reminded both of ‘Alien’ and also ‘Gravity’ while I was reading – and those descriptions could easily be applied to both of those media. What is also similar is the quality of the storytelling and how compelling it is – my suspension of disbelief was thoroughly engaged and I was absolutely caught up in the action, heart in mouth right to the end. And then I felt like I’d lost a friend because it was just ended and there was no more.

The book draws on tropes, the chosen one succeeding against the odds is probably the most gratuitous one. However, overall I think it executes the use of them reasonably well, and pink haired teenagers are hardly an unusual concept – it just seemed to be part of who Kady was and the authors successfully brought her to life for me, where perhaps in other situations the make up of her character might have annoyed or disappointed me more. The character relationships are presented as heteronormative, people as cisgendered and no one appeared to have any kind of disability. Similarly, I don’t recall any discussion of race and so the default may be assumed as ‘white’ given nothing is done to subvert or draw attention to this fact. Having noted these things and that I hope future books address these points. I also hope we get to see more of Kady in the books to come – I’ll be avidly looking forward to more in this series.

AWW16: Who’s Afraid? by Maria Lewis

Australian Women Writers Challenge 2016: Book #1

TAustralian Women Writers Challenge 2016 Badgeitle: Who’s Afraid?

Author: Maria Lewis

Publisher and Year: Hachette Australia , 2015

Genre: urban fantasy, paranormal romance

 

 

 

 Who's Afraid - coverBlurb from Goodreads:

This is the story of Tommi, a young Scottish woman living an ordinary life, who stumbles violently into her birthright as the world’s most powerful werewolf. The sudden appearance of a dark, mysterious (and very attractive) guardian further confuses her as her powers begin to develop and she begins to understand that her life can never be the same again. The reader will be swept up in Tommi’s journey as she’s thrown into the middle of a centuries-old battle and a world peopled with expert warriors and vicious enemies – this is the start of a series – and a world – you will fall in love with.

 

 

My review:

An eARC of this book was provided by the publisher in exchange for an honest review.

New urban fantasy from an Australian author? Count me in! If this is the beginning of a new urban fantasy trend in Australia then I’m all for it. First of all, I have to mention the excellent cover! Features the protagonist! Looks like the character described in the book! Not in an impossible and ridiculous Sexy Pose ™! Fantastic! Also love the title which is a nice play on words about wolves which amused me given the context of the story featuring werewolves.

I enjoyed a lot about this book, I really liked Tommi as a protagonist. I appreciated her strengths and flaws, I appreciated her sense of self within her family. I absolutely loved her friendships and friendship group. I thought the way Tommi’s casual relationship with Poc was portrayed was thoughtful and insightful – not all relationships have to be the forever romance kind. Overall I appreciated most of the relationships in the book. I thought the potential relationship between Tommi and Lorcan was well written and came together in a way that worked for the actual story – it wasn’t an instalove thing, and the story didn’t bend reality around their falling in love. Right now we have lust and complicated feelings of companionship; it makes sense and it’s realistic. This approach by Lewis shows Tommi’s relative emotional maturity as well which also goes a long way to offsetting the age difference between her and Lorcan. If I have any disappointment in character development it’s probably with Lorcan, he remains a bit too much of a fantasy and not really part of the reality of the story for meat this point.

This might be a weird thing to comment on, but I enjoyed reading about Tommi’s  job – not that it was an integral part of the story exactly, but it was interesting and unique to read about and definitely added to my sense of getting to know Tommi as a person. I loved that she’d been training in martial arts for a long time – that it was something she’d used to deal with her anger/temper for a long time. The background of this went a long way to balancing out her proficiency in her training with Lorcan – she already had a solid background so being good at parts of it made sense. I thought that her reactions to things that happened to her were also really well written, realistically portrayed. Everyone *wants* to think that they’ll react just as they want to when the bad thing happens – and you just can’t know that it’s true, and more often than not, it doesn’t happen the way you imagine it.

What I disliked quite a lot about the book was the portrayal of Tommi’s Maori relatives. One villain from an unknown past I can understand, even if from an Indigenous racial minority. However, there was a broad strokes portrayal of the entire family group as ‘the bad guys’ which is frankly a racist trope and leaves me feeling distinctly uncomfortable. This could have been offset if Tommi had interacted with other Maori groups shapeshifters or not, but she doesn’t and so we’re left with Maori’s as villains which I’m not okay with. I’m particularly disappointed with this aspect because one of the reasons I was looking forward to reading the book is because it featured an Indigenous People and my initial impression was that they were part of the story but not necessarily the villains. Also, if they’re such a large family clan of shapeshifters – they can’t all be villains, that makes no sense. Maybe some of this will be address in following books in the series, I’m hopeful of this and definitely want to continue reading. However, I can’t not comment on my disappointment with how the Maori characters were treated as villainous tropes.

2016 Australian Women Writers Challenge Pledge

Australian Women Writers Challenge 2016 BadgeIt’s a new year of reading! Once again I’m excited to join in the Australian Women Writers Challenge and I invite any readers to do the same. The aim is to raise the profile of women writers in Australia and to increase the reviews for these books and authors too. It’s a low key challenge, the focus is enjoyment of reading and discovering new awesome books. You can pick your own level, choose to read or also to review and there’s heaps of support and suggestions for books to read via the AWW group on Goodreads.

This year I’ve already earmarked a number of books to read for the challenge, so I’ve set my own goal to read and review at least 15 books this year. I also hope to continue reading more diversely in various ways including (but not limited to) queerness, disability, Indigenous authors and other non-white authors.

If you decide to join in the fun, do let me know so I can wave pompoms in your direction and also follow your reviews if you’re doing them!